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The Colossus (also known as Giant) (Spanish: El Coloso) is a painting at one time attributed to Francisco de Goya, but now believed to have been painted by an apprentice, probably Asensio Juliá. In January 2009, the Museo del Prado reported that an investigation of the painting's authorship had prov...

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The Yard of Madhouse (Spanish: Corral de locos) is a small oil-on-tinplate painting completed by the Spanish artist Francisco Goya between 1793 and 1794. Goya said that the painting was informed by scenes of institutions he witnessed as a youth in Zaragoza. It has been described as a 'somber vision ...

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The Milkmaid of Bordeaux (Spanish: La lechera de burdeos) is an oil on canvas painting completed between 1825–27, generally attributed to the Spanish artist Francisco Goya (1746–1828). Although the picture is held in great esteem and widely admired by critics and the public, doubt has been cast by a...

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The Madhouse (Casa de locos) or Asylum (Manicomio) is an oil-on-panel painting by Francisco de Goya. He produced it between 1812 and 1819. It shows a mental asylum, with its inhabitants in many different poses. Marked by a Piranesian and claustrophobic architecture, the painting's only light source ...

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The Condesa de Chinchón (the 'Countess of Chinchón') was painted by Francisco Goya about 1800, and is held in the Museo del Prado, Madrid. The painting depicts María Teresa de Borbón, 15th Countess of Chinchón, who had been encouraged by Queen Maria Luisa of Parma and by opportunism to marry Manuel ...

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The Burial of the Sardine (Spanish: El entierro de la sardina) is an oil-on-panel painting by Spanish artist Francisco Goya, usually dated to the 1810s. The title is posthumous, referring to the culminating event of a three-day carnival in Madrid ending on Ash Wednesday. Masked and disguised revelle...

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