+ 1 (707) 877-4321
+ 33 977-198-888
English
Français
Deutsch
Italiano
Español
Русский
中国
Português
日本

Portfolio Agnolo Bronzino. The complete works. (142: Frescoes, Oil, Oil On Canvas, Oil On Copper, Oil On Panel, Tempera, Wood)

FREE Shipping. FREE Returns All the time. See details.

 

  • Agnolo Bronzino - Venus, Cupid and Time (Allegory of Lust)
  • Agnolo Bronzino - Venus, Cupido and Satyr
  • Agnolo Bronzino - Portrait of Andrea Doria as Neptune
  • Agnolo Bronzino - Portrait of a Young Man
  • Agnolo Bronzino - Portrait of Laura Battiferri
  • Agnolo Bronzino - Portrait of a Lady in Green
  • Agnolo Bronzino - The Ailing Eleonora da Toledo
  • Agnolo Bronzino - Portrait of Piero di Lorenzo de Medici
  • Agnolo Bronzino - Portrait of a Lady in Red (detail)
  • Agnolo Bronzino - Lucrezia Panciatichi
  • Agnolo Bronzino - Saint John the Baptist
  • Agnolo Bronzino - Portrait of Cosimo I de' Medici, Grand Duke of Tuscany
  • Agnolo Bronzino - Allegorical Portrait of Dante
  • Agnolo Bronzino - The Dead Christ with the Virgin and St. Mary Magdalene
  • Agnolo Bronzino - The Panciatichi Holy Family
  • Agnolo Bronzino - Adoration of the Shepherds (detail) (9)
  • Agnolo Bronzino - Eleonora di Toledo
  • Agnolo Bronzino - Portrait of Lorenzo the Magnificent
  • Agnolo Bronzino - Portrait of Stefano IV Colonna
  • Agnolo Bronzino - Portrait of Nano Morgante
  • Agnolo Bronzino - Portrait of Eleonora da Toledo
  • Agnolo Bronzino - Eleonora da Toledo
  • Agnolo Bronzino - Portrait of a young man with book
  • Agnolo Bronzino - Stigmatization of St. Francis
  • Agnolo Bronzino - Portrait of young woman with her son
  • Agnolo Bronzino - Portrait of a Lady with a Puppy
  • Agnolo Bronzino - Portrait of Pope Clement VII
 
All 142 Artworks from Agnolo Bronzino





Agnolo di Cosimo (November 17, 1503 – November 23, 1572), usually known as Il Bronzino, or Agnolo Bronzino (mistaken attempts also have been made in the past to assert his name was Agnolo Tori and even Angelo (Agnolo) Allori), was an Italian Mannerist painter from Florence. His sobriquet, Bronzino, in all probability refers to his relatively dark skin.

Bronzino was born in Florence, the son of a butcher. According to his contemporary Vasari, Bronzino was a pupil first of Raffaellino del Garbo, and then of Pontormo, to whom he was apprenticed at 14. Pontormo is thought to have introduced a portrait of Bronzino as a child (seated on a step) into one of his series on Joseph in Egypt now in the National Gallery, London. Pontormo exercised a dominant influence on Bronzino's developing style, and the two were to remain collaborators for most of the former's life. An early example of Bronzino's hand has often been detected in the Capponi Chapel in the church of Santa Felicita by the Ponte Vecchio in Florence. Pontormo designed the interior and executed the altarpiece, the masterly Deposition from the Cross and the sidewall fresco Annunciation. Bronzino apparently was assigned the frescoes on the dome, which however have not survived. Of the four empanelled tondi or roundels depicting each of the evangelists, two were said by Vasari to have been painted by Bronzino. His style however is so similar to his master's that scholars still debate the specific attributions.

Towards the end of his life, Bronzino took a prominent part in the activities of the Florentine Accademia delle Arti del Disegno, of which he was a founding member in 1563.

The painter Alessandro Allori was his favourite pupil, and Bronzino was living in the Allori family house at the time of his death in Florence in 1572 (Alessandro was also the father of Cristofano Allori). Bronzino spent the majority of his career in Florence.

Bronzino first received Medici patronage in 1539, when he was one of the many artists chosen to execute the elaborate decorations for the wedding of Cosimo I de' Medici to Eleonora di Toledo, daughter of the Viceroy of Naples. It was not long before he became, and remained for most of his career, the official court painter of the Duke and his court. His portrait figures—often read as static, elegant, and stylish exemplars of unemotional haughtiness and assurance—influenced the course of European court portraiture for a century. These well known paintings exist in many workshop versions and copies. In addition to images of the Florentine elite, Bronzino also painted idealized portraits of the poets Dante (c. 1530, now in Washington, DC) and Petrarch.

Bronzino's best known works comprise the aforementioned series of the duke and duchess, Cosimo and Eleonora, and figures of their court such as Bartolomeo Panciatichi and his wife Lucrezia. These paintings, especially those of the duchess, are known for their minute attention to the detail of her costume, which almost takes on a personality of its own in the image at right. Here the Duchess is pictured with her second son Giovanni, who died of malaria in 1562, along with his mother; however it is the sumptuous fabric of the dress that takes up more space on the canvas than either of the sitters. Indeed, the dress itself has been the object of some scholarly debate. The elaborate gown has been rumored to be so beloved by the duchess that she was ultimately buried in it; when this myth was debunked, others suggested that perhaps the garment never existed at all and Bronzino invented the entire thing, perhaps working only from a fabric swatch. In any case, this picture was reproduced over and over by Bronzino and his shop, becoming one of the most iconic images of the duchess. The version pictured here is in the Uffizi Gallery, and is one of the finest surviving examples.

Bronzino's so-called "allegorical portraits", such as that of a Genoese admiral, Andrea Doria as Neptune, are less typical but possibly even more fascinating due to the peculiarity of placing a publicly recognized personality in the nude as a mythical figure. Finally, in addition to being a painter, Bronzino was also a poet, and his most personal portraits are perhaps those of other literary figures such as that of his friend the poet Laura Battiferri.

In 1540/41, Bronzino began work on the fresco decoration of the Chapel of Eleanora di Toledo in the Palazzo Vecchio (at right) and an oil on panel (at left) for this chapel. Before this painting his style in the religious genre was less Mannerist, and was based in balanced compositions of the High Renaissance. Yet he became elegant and classicizing (cf. Smyth) in this fresco cycle, and his religious works are examples of the mid-16th-century aesthetics of the Florentine court—traditionally interpreted as highly-stylized and non-personal or emotive. The Crossing the Red Sea is typical of Bronzino's approach at this time, though it should not be claimed that Bronzino or the court was lacking in religious fervor on the basis of the preferred court fashion. Indeed, the duchess Eleanora was a generous patron to the recently founded Jesuit order.

Bronzino's work tends to include sophisticated references to earlier painters, as in one of his last grand frescoes called The Martyrdom of St. Lawrence (San Lorenzo, 1569), in which almost every one of the extraordinarily contorted poses can be traced back to Raphael or to Michelangelo, who Bronzino idolized (cf. Brock). Bronzino's skill with the nude was even more enigmatically deployed in the celebrated Venus, Cupid, Folly and Time, which conveys strong feelings of eroticism under the pretext of a moralizing allegory. His other major works include the design of a series of tapestries on The Story of Joseph, for the Palazzo Vecchio.

Many of Bronzino's works are still in Florence but other examples can be found in the National Gallery, London, and elsewhere.

This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). Encyclopædia Britannica (11th ed.). Cambridge University Press.

[Biography - Agnolo Bronzino - 7Ko]
Angelo di Cosimo ou Agnolo di Cosimo (17 novembre 1503, Florence – 23 novembre 1572, Florence), dit aussi il Bronzino, est un peintre maniériste italien. Il était le fils adoptif et apprenti de Pontormo, et aussi l'élève de Girolamo Genga. Il devrait son surnom à son teint sombre ou à la couleur de ses cheveux. Il a partiellement inspiré à Hans Chr...
[Biography - Agnolo Bronzino - 3Ko]
Agnolo di Cosimo di Mariano, auch Agnolo Tori, genannt Bronzino (* 17. November 1503 in Monticelli, einem heutigen Stadtteil von Florenz † 23. November 1572 in Florenz) war ein italienischer Maler des Manierismus. Bronzino war ein Maler von Fresken, Altarbildern, Andachtsbildern und allegorischen und mythologischen Szenen. Er zeichnete sich jedoch...
[Biography - Agnolo Bronzino - 8Ko]
Аньоло Бронзино (Bronzino, настоящее имя Аньоло ди Козимо ди Мариано — Agnolo di Cosimo di Mariano) (17 ноября 1503, Флоренция, Тоскана, — 23 ноября 1572, Флоренция) — итальянский живописец, выдающийся представитель маньеризма. Бронзино писал фрески, алтарные картины, религиозные, аллегорические картины и картины на мифологические темы. Однако наст...
[Biography - Agnolo Bronzino - 4Ko]
Agnolo di Cosimo di Mariano, conosciuto come il Bronzino (Monticelli di Firenze, 17 novembre 1503 – Firenze, 23 novembre 1572), è stato un pittore italiano. Tra i più raffinati e mirabili pittori del Manierismo fiorentino, è noto per essere stato uno dei più abili ed incisivi ritrattisti della corte medicea nella Firenze tardo rinascimentale. Prove...
[Biography - Agnolo Bronzino - 4Ko]
Agnolo Tori o Angelo di Cosimo di Mariano o Agnolo Bronzino, más conocido como Bronzino, El Bronzino o Il Bronzino (Ponticelli de Florencia, 17 de noviembre de 1503 – Florencia, 23 de noviembre de 1572). Pintor italiano predominantemente áulico y uno de los más destacados representantes del manierismo, que se ha vuelto más refinado, maduro e intele...
[Biography - Agnolo Bronzino - 6Ko]
Mais conhecido por Bronzino ou Il Bronzino , seu nome era Agnolo Tori também chamado com os nomes de Ângelo di Cosimo di Mariano ou Agnolo Bronzino (Ponticelli de Florença, 17 de novembro de 1503 - Florença, 23 de novembro de 1572). Pintor italiano predominantemente palaciano, um dos maiores representantes do maneirismo. Existe bem poucas informaçõ...
[Biography - Agnolo Bronzino - 5Ko]
Mais conhecido por Bronzino ou Il Bronzino , seu nome era Agnolo Tori também chamado com os nomes de Ângelo di Cosimo di Mariano ou Agnolo Bronzino (Ponticelli de Florença, 17 de novembro de 1503 - Florença, 23 de novembro de 1572). Pintor italiano predominantemente palaciano, um dos maiores representantes do maneirismo. Existe bem poucas informaçõ...
[Biography - Agnolo Bronzino - 5Ko]
Mais conhecido por Bronzino ou Il Bronzino , seu nome era Agnolo Tori também chamado com os nomes de Ângelo di Cosimo di Mariano ou Agnolo Bronzino (Ponticelli de Florença, 17 de novembro de 1503 - Florença, 23 de novembro de 1572). Pintor italiano predominantemente palaciano, um dos maiores representantes do maneirismo. Existe bem poucas informaçõ...
[Biography - Agnolo Bronzino - 5Ko]
Mais conhecido por Bronzino ou Il Bronzino , seu nome era Agnolo Tori também chamado com os nomes de Ângelo di Cosimo di Mariano ou Agnolo Bronzino (Ponticelli de Florença, 17 de novembro de 1503 - Florença, 23 de novembro de 1572). Pintor italiano predominantemente palaciano, um dos maiores representantes do maneirismo. Existe bem poucas informaçõ...
[Biography - Agnolo Bronzino - 5Ko]
Mais conhecido por Bronzino ou Il Bronzino , seu nome era Agnolo Tori também chamado com os nomes de Ângelo di Cosimo di Mariano ou Agnolo Bronzino (Ponticelli de Florença, 17 de novembro de 1503 - Florença, 23 de novembro de 1572). Pintor italiano predominantemente palaciano, um dos maiores representantes do maneirismo. Existe bem poucas informaçõ...
[Biography - Agnolo Bronzino - 5Ko]
Mais conhecido por Bronzino ou Il Bronzino , seu nome era Agnolo Tori também chamado com os nomes de Ângelo di Cosimo di Mariano ou Agnolo Bronzino (Ponticelli de Florença, 17 de novembro de 1503 - Florença, 23 de novembro de 1572). Pintor italiano predominantemente palaciano, um dos maiores representantes do maneirismo. Existe bem poucas informaçõ...
[Biography - Agnolo Bronzino - 5Ko]
Mais conhecido por Bronzino ou Il Bronzino , seu nome era Agnolo Tori também chamado com os nomes de Ângelo di Cosimo di Mariano ou Agnolo Bronzino (Ponticelli de Florença, 17 de novembro de 1503 - Florença, 23 de novembro de 1572). Pintor italiano predominantemente palaciano, um dos maiores representantes do maneirismo. Existe bem poucas informaçõ...
[Biography - Agnolo Bronzino - 5Ko]
アーニョロ・ブロンズィーノ(Agnolo Bronzino, 1503年11月17日 - 1572年11月23日)は、マニエリスム期のイタリアフィレンツェの画家。本名はアーニョロ・ディ・コジモ・ディ・マリアーノ・トーリ(Agnolo di Cosimo)。ブロンズィーノという愛称は、恐らく彼の髪の色であった「青銅」色を意味するイタリア語”ブロンゾ”に由来する。メディチ家のフィレンツェ公コジモ1世の宮廷画家として活躍する。「愛の勝利の寓意」に代表される画風は、極めて知的・技巧的で洗練された美しさに満ちている。また、肖像画にも多数の優れた作品を残している。 ブロンズィーノは1503年11月17日フィレンツェ近郊の貧しい肉屋の息子として生まれた。ブロンズィーノは始めラファエリーノ・デル・ガルボの弟...
[Biography - Agnolo Bronzino - 3Ko]
-- -- -- -- -- -