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Portfolio Albrecht Durer. The complete works. (1273: Brush, Canvas, Chalk, Charcoal, Drawing, Drypoint, Engraving, Etching, Illustration, Ink, Metal, Oil, Oil On Canvas, Oil On Panel, Panel, Paper, Pen, Silverpoint, Tempera, Watercolour, Wood)

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  • Albrecht Durer - Portrait of a Young Venetian Woman
  • Albrecht Durer - Young Hare
  • Albrecht Durer - Christ Among the Doctors
  • Albrecht Durer - The Martyrdom of the Ten Thousand
  • Albrecht Durer - Christ as the Man of Sorrows
  • Albrecht Durer - Self-portrait at 22
  • Albrecht Durer - The Altarpiece of the Rose Garlands
  • Albrecht Durer - Self portrait detail face
  • Albrecht Durer - Portrait of a Young Venetian Woman
  • Albrecht Durer - The Four Horsemen of the Apocalypse
  • Albrecht Durer - Lobster
  • Albrecht Durer - Dream Vision
  • Albrecht Durer - Emperor Charlemagne
  • Albrecht Durer - Two Venetian women
  • Albrecht Durer - The Little Owl
  • Albrecht Durer - Lamentation for Christ
  • Albrecht Durer - The Adoration of the Magi
  • Albrecht Durer - Portrait of St Sebastian with an Arrow
  • Albrecht Durer - The Virgin Mary in Prayer
  • Albrecht Durer - Wing of a Blue Roller
  • Albrecht Durer - Alliance Coat of Arms of the Dürer and Holper Families
  • Albrecht Durer - The Madonna of the Carnation
  • Albrecht Durer - The Adoration of the Trinity
  • Albrecht Durer - Emperor Charlemagne and Emperor Sigismund
  • Albrecht Durer - Portrait Of A Woman With Her Hair Up
  • Albrecht Durer - All Saints picture
  • Albrecht Durer - House by a Pond
  • Albrecht Durer - Portrait of Johannes Kleberger
All 1273 Artworks from Albrecht Durer

 Albrecht Durer
Albrecht Durer was a printmaker and painter a major figure in the Northern Renaissance. Durer’s family was originally from Hungary, though his father moved the family to Nuremburg, Germany in the late 1400s and later Germanicized their last name, eventually adopting the name of Durer. The son of a goldsmith and nephew of a printer, Durer was exposed to artistic crafting from an early age. The woodcut prints that his godfather printed would be something which would influence his art for the rest of his life as Durer was well known for prints of his own.
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Albrecht Dürer (German pronunciation:) (21 May 1471 – 6 April 1528) was a German painter, printmaker and theorist from Nuremberg.

 His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Northern Renaissance ever since. His well-known works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. Dürer's introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions.

 Early life (1471–90)

 Self-portrait silverpoint drawing by the thirteen-year-old Dürer, 1484.
 The earliest painted Self-Portrait (1493) by Albrecht Dürer, oil, originally on vellum Louvre, ParisDürer was born on 21 May 1471, third child and second son of his parents, who had between fourteen and eighteen children. His father was a successful goldsmith, originally named Ajtósi, who in 1455 had moved to Nuremberg from Ajtós, near Gyula in Hungary. The German name "Dürer" is derived from the Hungarian, "Ajtósi". Initially, it was "Thürer," meaning doormaker, which is "ajtós" in Hungarian (from "ajtó", meaning door). A door is featured in the coat-of-arms the family acquired. Albrecht Dürer the Elder married Barbara Holper, the daughter of his master, when he himself became a master in 1467

 Dürer's godfather was Anton Koberger, who left goldsmithing to become a printer and publisher in the year of Dürer's birth. He quickly became the most successful publisher in Germany, eventually owning twenty-four printing-presses and having many offices in Germany and abroad. His most famous publication was the Nuremberg Chronicle, published in 1493 in German and Latin editions. It contained an unprecedented 1,809 woodcut illustrations (with many repeated uses of the same block) by the Wolgemut workshop. Dürer may well have worked on some of these, as the work on the project began while he was with Wolgemut.

It is fortunate Dürer left autobiographical writings and that he became very famous by his mid-twenties. Because of this, his life is well documented by several sources. After a few years of school, Dürer started to learn the basics of goldsmithing and drawing from his father. Though his father wanted him to continue his training as a goldsmith, he showed such a precocious talent in drawing that he started as an apprentice to Michael Wolgemut at the age of fifteen in 1486. A self-portrait, a drawing in silverpoint, is dated 1484 (Albertina, Vienna) “when I was a child”, as his later inscription says. Wolgemut was the leading artist in Nuremberg at the time, with a large workshop producing a variety of works of art, in particular woodcuts for books. Nuremberg was then an important and prosperous city, a centre for publishing and many luxury trades. It had strong links with Italy, especially Venice, a relatively short distance across the Alps.

WEDGIESAfter completing his term of apprenticeship, Dürer followed the common German custom of taking Wanderjahre — in effect gap years — in which the apprentice learned skills from artists in other areas; Dürer was to spend about four years away. He left in 1490, possibly to work under Martin Schongauer, the leading engraver of Northern Europe, but who died shortly before Dürer's arrival at Colmar in 1492. It is unclear where Dürer travelled in the intervening period, though it is likely that he went to Frankfurt and the Netherlands. In Colmar, Dürer was welcomed by Schongauer's brothers, the goldsmiths Caspar and Paul and the painter Ludwig. In 1493 Dürer went to Strassbourg, where he would have experienced the sculpture of Nikolaus Gerhaert. Dürer's first painted self-portrait (now in the Louvre) was painted at this time, probably to be sent back to his fiancé in Nuremberg.

In early 1492 Dürer travelled to Basel to stay with another brother of Martin Schongauer, the goldsmith Georg. Very soon after his return to Nuremberg, on July 7, 1494, at the age of 23, Dürer was married to Agnes Frey following an arrangement made during his absence. Agnes was the daughter of a prominent brass worker (and amateur harpist) in the city. However, no children resulted from the marriage.

Legacy and influence

Dürer on a 1961 German stampDürer exerted a huge influence on the artists of succeeding generations, especially in printmaking, the medium through which his contemporaries mostly experienced his art, as his paintings were predominately in private collections located in only a few cities. His success in spreading his reputation across Europe through prints was undoubtedly an inspiration for major artists such as Raphael, Titian, and Parmigianino, who entered into collaborations with printmakers to distribute their work beyond their local region.

His work in engraving seems to have had an intimidating effect upon his German successors, the "Little Masters", who attempted few large engravings but continued Dürer's themes in tiny, rather cramped compositions. The early Lucas van Leyden was the only Northern European engraver to successfully continue to produce large engravings in the first third of the century. The generation of Italian engravers who trained in the shadow of Dürer all either directly copied parts of his landscape backgrounds (Giulio Campagnola and Christofano Robetta), or whole prints (Marcantonio Raimondi and Agostino Veneziano). However, Dürer's influence became less dominant after 1515, when Marcantonio perfected his new engraving style, which in turn traveled over the Alps to dominate Northern engraving also.

In painting, Dürer had relatively little influence in Italy, where probably only his altarpiece in Venice was seen, and his German successors were less effective in blending German and Italian styles. His intense and self-dramatizing self-portraits have continued to have a strong influence up to the present, and have been blamed for some of the wilder excesses of artists' self-portraiture, especially in the nineteenth and twentieth centuries.

Dürer has never fallen from critical favour, and there have been revivals of interest in his works Germany in the Dürer Renaissance of about 1570 to 1630, in the early nineteenth century, and in German Nationalism from 1870 to 1945.

He is commemorated on the calendar of the Lutheran Church with other artists on 6 April. The crater Dürer on Mercury was named in his honor.

[Biography - Albrecht Durer - 9Ko]
Albrecht Dürer, (« Albert » la version traduite de son prénom est aussi d'usage pour les francophones), né le 21 mai 1471 et mort en 1528 à Nuremberg est un peintre, graveur et mathématicien allemand. Il signera Albertus Dürer Noricus (de Nuremberg) ou Dürer Alemanus ou encore de son monogramme. Biographie Autoportrait à la fourrure, 1500Albrecht D...
[Biography - Albrecht Durer - 19Ko]
Article d'André Michel sur "Dürer" dans La grande encyclopédie (1885-1902) DüRER (Albert), peintre-graveur allemand, né à Nuremberg le 21 mai 1471, mort le 6 avr. 1528. Sa famille était originaire d'Eytas en Hongrie où ses ancêtres - avaient vécu en paysans éleveurs ou pasteurs de bœufs et de chevaux. Son grand-père Antoine était allé s'établir à G...
[Page - Albrecht Durer - 29Ko]
Victor Hugo, Le 20 avril 1837 Dans les vieilles forêts où la sève à grands flots Court du fût noir de l'aulne au tronc blanc des bouleaux, Bien des fois, n'est ce pas? à travers la clairière, Pâle, effaré, n'osant regarder en arrière, Tu t'es hâté, tremblant et d'un pas convulsif, O mon maître Albert Durer, ô vieux peintre pensif! On devine, devant...
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«Albert Dürer (né à Nuremberg en 1471, mort en 1528 ) appartient, comme Léonard de Vinci, à cette génération de grands artistes, peintres, sculpteurs et architectes, pour lesquels la géométrie est non seulement un instrument d'analyse, mais un puissant moyen de perfectionnement. L'étude de la perspective le conduisit à la transformation des figures...
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Albrecht Dürer der Jüngere, auch Duerer, (* 21. Mai 1471 in Nürnberg &dagger 6. April 1528 in Nürnberg) war ein deutscher Maler, Grafiker, Mathematiker und Kunsttheoretiker von europäischem Rang. Er war ein bedeutender Künstler zur Zeit des Humanismus und der Reformation. Name Dürerwappen, gemalt von einem unbekannten GlasmalerDer Name Dürer leit...
[Biography - Albrecht Durer - 9Ko]
Albrecht Dürer (Norimberga, 21 maggio 1471 - Norimberga, 6 aprile 1528) è stato un pittore, incisore, matematico e xilografo tedesco. Figlio di un ungherese, viene considerato il massimo esponente della pittura tedesca rinascimentale. A Venezia l'artista entra in contatto con ambienti neoplatonici. Si presume che tali ambienti abbiano sollevato il ...
[Biography - Albrecht Durer - 12Ko]
Alberto Durero (en alemán Albrecht Dürer) (* Núremberg 21 de mayo de 1471 - &dagger Núremberg 6 de abril de 1528) es el artista más famoso del Renacimiento alemán, conocido en todo el mundo por sus pinturas, dibujos, grabados y escritos teóricos sobre arte, que ejercieron una profunda influencia en los artistas del siglo XVI de su propio país y ...
[Biography - Albrecht Durer - 9Ko]
Alberto Durero es considerado el artista más famoso del renacimiento alemán conocido en todo el mundo por sus pinturas, dibujos, grabados y escritos teóricos sobre arte, que ejercieron una profunda influencia en los artistas del siglo XVI de su propio país y de los Países Bajos. Alberto Durero (alemán Albrecht Dürer) (21 de mayo de 1471 - 6 de abri...
[Page - Albrecht Durer - 12Ko]
Альбрехт Дюрер (нем. произношение:) (21 мая 1471 - 6 апреля 1528) был немецкий живописец, гравер и теоретик из Нюрнберга. Его отпечатки создали ему репутацию в Европе, когда он был еще в двадцатые годы, и он был условно рассматривать как величайшего художника Северного Возрождения до сих пор. Его известные работы включают Апокалипсис ксилографии, Р...
[Biography - Albrecht Durer - 8Ko]
阿尔布雷希特丢勒(德国读音:)(5月21日1471 - 1528年4月)是从纽伦堡的德国画家,版画家和理论家。 他的版画在欧洲各地建立了他的名誉时,他仍然在他20多岁,和传统的他一直以来的北方文艺复兴时期最伟大的艺术家。他的著名作品包括启示录木刻,骑士,死亡,和魔鬼(1513),圣杰罗姆在他的研究报告(1514)和Melencolia我(1514),已被广泛的分析和解释的问题。他的水彩画标记他的第一个欧洲的景观艺术家之一,而他的雄心勃勃的木刻革命性该媒介的潜力。杜勒引入北方艺术的经典图案,通过他的意大利艺术家和德国人文主义知识,已取得了他的名誉作为北方文艺复兴时期最重要的人物之一。这是加强了他的理论的论文,涉及数学,透视和理想的比例原则。 早期的生活(1471至90年) 由13岁的丢勒,14...
[Biography - Albrecht Durer - 4Ko]
Albrecht Dürer (pronúncia alemã:) (21 de maio de 1471 - 6 de abril 1528) foi um pintor alemão printmaker, e teórico de Nuremberg. Suas gravuras estabeleceu a sua reputação em toda a Europa, quando ele ainda estava nos seus vinte anos, e ele tem sido convencionalmente considerado o maior artista da Renascença do Norte desde então. Seu conhecido obra...
[Biography - Albrecht Durer - 9Ko]
アルブレヒトデューラー(ドイツ語発音:)(1471年5月21日 - 1528年4月6日)は、ニュルンベルクからドイツの画家、版画家と理論家だった。 彼の版画は、彼が彼の二十代にまだあったときにヨーロッパを渡る彼の名声を確立し、そして彼は、従来以来、北ヨーロッパのルネッサンスの偉大な芸術家と見なされている。彼の有名な作品は、黙示録の木版画、ナイト、死、そして彼の研究の悪魔(1513)、聖ヒエロニムス(1514)と広範な分析と解釈の対象となっているMelencolia I(1514)、含まれています。彼の野心的な木版画は、そのメディアの可能性に革命をしながら彼の水彩画は、最初のヨーロッパの風景のアーティストの一人として彼をマーク。北の芸術への古典的なモチーフのデューラーの導入は、イタリアの芸術家...
[Biography - Albrecht Durer - 5Ko]
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