+ 1 (707) 877-4321
+ 33 977-198-888
English
Français
Deutsch
Italiano
Español
Русский
中国
Português
日本

Portfolio Georgia O'keeffe. The complete works. (301: Oil On Canvas, Watercolour)

FREE Shipping. FREE Returns All the time. See details.

 

  • Georgia O'keeffe - Light of Iris
  • Georgia O'keeffe - Blue wave maine
  • Georgia O'keeffe - Red Amaryllis 2
  • Georgia O'keeffe - Red Poppy
  • Georgia O'keeffe - Canna Red and Orange
  • Georgia O'keeffe - Oriental Poppies II
  • Georgia O'keeffe - Red Canna
  • Georgia O'keeffe - Red Canna
  • Georgia O'keeffe - Brown Sail, Wing on Wing, Nassau
  • Georgia O'keeffe - Lake George (formerly Reflection Seascape)
  • Georgia O'keeffe - Lake George, Autumn
  • Georgia O'keeffe - New York with Moon
  • Georgia O'keeffe - Cow's Skull
  • Georgia O'keeffe - Red Hills, Lake George
  • Georgia O'keeffe - Abstraction White Rose
  • Georgia O'keeffe - It was a Man and a Pot
  • Georgia O'keeffe - Sunset, long island
  • Georgia O'keeffe - City Night
  • Georgia O'keeffe - Cow's Skull with Calico Roses
  • Georgia O'keeffe - Lake George Barns
  • Georgia O'keeffe - Gray line with black, blue, and yellow
  • Georgia O'keeffe - Jimson Weed
  • Georgia O'keeffe - My Shanty, Lake George
  • Georgia O'keeffe - Petunia No. 2
  • Georgia O'keeffe - Peru - Machu Picchu, Morning Light
  • Georgia O'keeffe - Pink roses and larkspur
  • Georgia O'keeffe - Clam and mussel
  • Georgia O'keeffe - Jimson Weed 3
  • Georgia O'keeffe - Pedernal
 
All 301 Artworks from Georgia O'keeffe





Georgia Totto O'Keeffe (November 15, 1887 – March 6, 1986) was an American artist.

Born near Sun Prairie, Wisconsin, O'Keeffe first came to the attention of the New York art community in 1916, several decades before women had gained access to art training in America’s colleges and universities.[citation needed]

She made large-format paintings of enlarged blossoms, presenting them close up as if seen through a magnifying lens, and New York buildings, most of which date from the same decade. Beginning in 1929, when she first began working part of the year in Northern New Mexico—which she made her permanent home in 1949—O’Keeffe depicted subjects specific to that area.[citation needed]

Georgia O'Keeffe was born on November 15, 1887, in a farmhouse near Sun Prairie, Wisconsin. Her parents, Francis Calyxtus O'Keeffe and Ida (Totto) O'Keeffe, were dairy farmers. Her father was of Irish descent. Ida Totto's father, George Victor Totto, for whom Georgia O'Keeffe was named, was a Hungarian count who came to America in 1848.

Georgia was the second of seven O'Keeffe children, and the first daughter. O'Keeffe attended Town Hall School in Sun Prairie. By age ten she had decided to become an artist, and she and her sister received art instruction from local watercolorist Sara Mann. O'Keeffe attended high school at Sacred Heart Academy in Madison, Wisconsin, as a boarder between 1901 and 1902. In Fall 1902 the O'Keeffes moved from Wisconsin to the close-knit neighborhood of Peacock Hill in Williamsburg, Virginia. Georgia stayed in Wisconsin with her aunt and attended Madison High School, then joined her family in Virginia in 1903. She completed high school as a boarder at Chatham Episcopal Institute in Virginia (now Chatham Hall), and graduated in 1905. She was a member of Kappa Delta.

O'Keeffe studied at the School of the Art Institute of Chicago from 1905 to 1906. In 1907, she attended the Art Students League in New York City, where she studied under William Merritt Chase. In 1908, she won the League's William Merritt Chase still-life prize for her oil painting Dead Rabbit with Copper Pot. Her prize was a scholarship to attend the League's outdoor summer school at Lake George, New York. While in the city in 1908, O'Keeffe attended an exhibition of Rodin's watercolors at the 291, owned by her future husband, photographer Alfred Stieglitz.

O'Keeffe abandoned the idea of pursuing a career as an artist in the fall of 1908, claiming that she could never distinguish herself as an artist within the mimetic tradition, which had formed the basis of her art training. She took a job in Chicago as a commercial artist. She did not paint for four years, and said that the smell of turpentine made her sick. She was inspired to paint again in 1912, when she attended a class at the University of Virginia Summer School, where she was introduced to the innovative ideas of Arthur Wesley Dow by Alon Bement. Dow encouraged artists to express themselves using line, color, and shading harmoniously. From 1912-14, she taught art in the public schools in Amarillo in the Texas Panhandle. She attended Teachers College of Columbia University from 1914–15, where she took classes from Dow, who greatly influenced O'Keeffe's thinking about the process of making art. She served as a teaching assistant to Bement during the summer from 1913–16 and taught at Columbia College, Columbia, South Carolina in the fall of 1915, where she completed a series of highly innovative charcoal abstractions. After further course work at Columbia in the spring of 1916 and summer teaching for Bement, she took a job as head of the art department at West Texas State Normal College from fall 1916 to February 1918, the fledgling West Texas A&M University in Canyon just south of Amarillo. While there, she often visited the Palo Duro Canyon, making its forms a subject in her work.

Early in 1916, Anita Pollitzer took some of the charcoal drawings O'Keeffe had made in the fall of 1915, which she had mailed to Pollitzer from South Carolina, to Alfred Stieglitz at his 291 gallery. He told Pollitzer that the drawings were the "purest, finest, sincerest things that had entered 291 in a long while", and that he would like to show them. O'Keeffe had first visited 291 in 1908, but did not speak with Stieglitz then, although she came to have high regard for him and to know him in the spring of 1916, when she was in New York at Teachers College. In April 1916, he exhibited ten of her drawings at 291. Although O'Keeffe knew that Stieglitz was planning to exhibit her work, he had not told her when, and she was surprised to learn that her work was on view; she confronted Stieglitz over the drawings but agreed to let them remain on exhibit. Stieglitz organized O'Keeffe's first solo show at 291 in April 1917, which included oil paintings and watercolors completed in Texas.

Stieglitz and O'Keeffe corresponded frequently beginning in 1916, and in June 1918, she accepted Stieglitz's invitation to move to New York to devote all of her time to her work. The two were deeply in love, and shortly after her arrival, they began living together, even though the then-married Stieglitz was 23 years her senior. That year Stieglitz first took O'Keeffe to his family home at the village of Lake George in New York's Adirondack Mountains, and they spent part of every year there until 1929, when O'Keeffe spent the first of many summers painting in New Mexico. In 1924 Stieglitz's divorce was finally approved by a judge, and within four months he and O'Keeffe married. It was a small, private ceremony at Marin's house, and afterward the couple went back home. There was no reception, festivities or honeymoon. O'Keeffe said later that they married in order to help soothe the troubles of Stieglitz's daughter Kitty, who at that time was being treated in a sanatorium for depression and hallucinations. The marriage did not seem to have any immediate effect on either Stieglitz or O'Keeffe; they both continued working on their individual projects as they had before. For the rest of their lives together, their relationship was, as biographer Benita Eisler characterized it,

Stieglitz started photographing O'Keeffe when she visited him in New York to see her 1917 exhibition. By 1937, when he retired from photography, he had made more than 350 portraits of her. Most of the more erotic photographs were made in the 1910s and early 1920s. In February 1921, forty-five of Stieglitz's photographs, including many of O'Keeffe, some of which depicted her in the nude, were exhibited in a retrospective exhibition at the Anderson Galleries that created a public sensation.[citation needed] A remark she once made to Pollitzer about the nude photographs may be the best indication of O'Keefe's ultimate reaction to being their subject. She said,"I felt somehow that the photographs had nothing to do with me personally." In 1978, she wrote about how distant from them she had become:"When I look over the photographs Stieglitz took of me-some of them more than sixty years ago-I wonder who that person is. It is as if in my one life I have lived many lives. If the person in the photographs were living in this world today, she would be quite a different person-but it doesn't matter-Stieglitz photographed her then."

Beginning in 1918, O'Keeffe came to know the many early American modernists who were part of Stieglitz's circle of artists, including Charles Demuth, Arthur Dove, Marsden Hartley, John Marin, Paul Strand and Edward Steichen. Strand's photography, as well as that of Stieglitz and his many photographer friends, inspired O'Keeffe's work. Soon after 1918, O'Keeffe began working primarily in oil, a shift away from having worked primarily in watercolor in the earlier 1910s. By the mid-1920s, O'Keeffe began making large-scale paintings of natural forms at close range, as if seen through a magnifying lens. In 1924 she painted her first large-scale flower painting Petunia, No. 2, which was first exhibited in 1925. She also completed a significant body of paintings of New York buildings, such as City Night and New York—Night, 1926, and Radiator Bldg—Night, New York, 1927.

O'Keeffe turned to working more representationally in the 1920s in an effort to move her critics away from Freudian interpretations. Her earlier work had been mostly abstract, but works such as Black Iris III (1926) evoke a veiled representation of female genitalia while also accurately depicting the center of an iris. O'Keeffe consistently denied the validity of Freudian interpretations of her art, but fifty years after it had first been interpreted in that way, many prominent feminist artists assessed her work similarly—in essential terms—such as Judy Chicago, who gave O'Keeffe a prominent place in her The Dinner Party. Although 1970s feminists celebrated O'Keeffe as the originator of "female iconography", O'Keeffe rejected their celebration of her work and refused to cooperate with any of their projects.

In 1922, the New York Sun published an article quoting O'Keeffe: "It is only by selection, by elimination, and by emphasis that we get at the real meaning of things." Inspired by Precisionism, The Green Apple, completed in 1922, depicts her notion of simple, meaningful life.

Beginning in 1923, Stieglitz organized annual exhibitions of O'Keeffe's work. By the mid-1920s, O'Keeffe had become known as one of the most important American artists. Her work commanded high prices; in 1928, Stieglitz masterminded a sale of six of her calla lily paintings for US$25,000, which was the largest sum ever paid for a group of paintings by a living American artist. Though the sale fell through, Stieglitz's promotion of the potential sale drew extensive media attention.

In 1938, the advertising agency N. W. Ayer & Son approached O'Keeffe about creating two paintings for the Hawaiian Pineapple Company (now Dole Food Company) to use in their advertising. Other artists who produced paintings of Hawaii for the Hawaiian Pineapple Company’s advertising include Lloyd Sexton, Jr., Millard Sheets, Yasuo Kuniyoshi, Isamu Noguchi, and Miguel Covarrubias. She arrived in Honolulu February 8, 1939, aboard the SS Lurline, and spent nine weeks in Oahu, Maui, Kauai, and the island of Hawaii. She painted flowers, landscapes, and traditional Hawaiian fishhooks. However, she did not paint the requested pineapple until after the Hawaiian Pineapple Company sent a plant to her New York studio.

By 1929, O'Keeffe acted on her increasing need to find a new source of inspiration for her work and to escape summers at Lake George, where she was surrounded by the Stieglitz family and their friends. O'Keeffe had considered finding a studio separate from Lake George in upstate New York and had also thought about spending the summer in Europe, but opted instead to travel to Santa Fe, with her friend Rebecca Strand. The two set out by train in May 1929 and soon after their arrival, Mabel Dodge Luhan moved them to her house in Taos and provided them with studios. O'Keeffe went on many pack trips exploring the rugged mountains and deserts of the region that summer and later visited the nearby D. H. Lawrence Ranch, where she completed her now famous oil painting, The Lawrence Tree, currently owned by the Wadsworth Athenaeum in Hartford, Connecticut."

While in Taos in 1929, O'Keeffe visited and painted the nearby historical San Francisco de Asis Mission Church at Ranchos de Taos. She made several paintings of the church, as had many artists, and her painting of a fragment of it silhouetted against the sky captured it in a different way.

Between 1929 and 1949, O'Keeffe spent part of nearly every year working in New Mexico. She collected rocks and bones from the desert floor and made them and the distinctive architectural and landscape forms of the area subjects in her work. She also went on several camping trips with friends, visiting important sites in the Southwest, and in 1961, she and others, including photographers Eliot Porter and Todd Webb, went on a rafting trip down the Colorado River about Glen Canyon, Utah.

Late in 1932, O'Keeffe suffered a nervous breakdown that was brought on, in part, because she was unable to complete a Radio City Music Hall mural project that had fallen behind schedule. She was hospitalized in early 1933 and did not paint again until January 1934. In the spring of 1933 and 1934, O'Keeffe recuperated in Bermuda, and she returned to New Mexico in the summer of 1934. In August of that year, she visited Ghost Ranch, north of Abiquiu, for the first time and decided immediately to live there; in 1940, she purchased a house on the ranch property. The varicolored cliffs of Ghost Ranch inspired some of her most famous landscapes. In 1977, O'Keeffe wrote: "[the] cliffs over there are almost painted for you—you think—until you try to paint them." Among guests to visit her at the ranch over the years were Charles and Anne Lindbergh, singer-songwriter Joni Mitchell, poet Allen Ginsberg, and photographer Ansel Adams.

Known as a loner, O'Keeffe explored the land she loved often in her Ford Model A, which she purchased and learned to drive in 1929. She often talked about her fondness for Ghost Ranch and Northern New Mexico, as in 1943, when she explained: "Such a beautiful, untouched lonely feeling place, such a fine part of what I call the 'Faraway'. It is a place I have painted before . . . even now I must do it again."

In the 1930s and 1940s, O'Keeffe's reputation and popularity continued to grow, earning her numerous commissions. Her work was included in exhibitions in and around New York. She completed Summer Days, a painting featuring a deer's skull adorned with various wildflowers, against a desert background in 1936, and it became one of her most famous and well-known works. During the 1940s O'Keeffe had two one-woman retrospectives, the first at the Art Institute of Chicago (1943), and the second in 1946 at the Museum of Modern Art (MOMA) in Manhattan, the first retrospective MOMA held for a woman artist. O'Keeffe enjoyed many accolades and honorary degrees from numerous universities. In the mid-1940s, the Whitney Museum of American Art in Manhattan sponsored a project to establish the first catalogue of her work.

O'Keeffe became increasingly frail in her late 90s. She moved to Santa Fe in 1984, where she died on March 6, 1986, at the age of 98. In accordance with her wishes, her body was cremated and her ashes were scattered to the wind at the top of Pedernal Mountain, over her beloved "faraway".

[Biography - Georgia O'keeffe - 15Ko]
Georgia O'Keeffe, née le 15 novembre 1887 à Sun Prairie, Wisconsin et morte le 6 mars 1986 à Santa Fe, Nouveau-Mexique, est une peintre américaine considérée comme une des peintres modernistes majeures du XXe siècle. Georgia O'Keeffe naît le 15 novembre 1887 dans une ferme du Wisconsin. Son père, Francis Calyxtus O'Keeffe, était d'origine irlandais...
[Biography - Georgia O'keeffe - 8Ko]
Georgia O’Keeffe (* 15. November 1887 in Sun Prairie, Dane County, Wisconsin † 6. März 1986 in Santa Fe, New Mexico) zählt zu den bekanntesten US-amerikanischen Malerinnen des 20. Jahrhunderts. Motive ihrer an der Grenze zur gegenstandslosen Malerei angesiedelten und als Interpretation der Welt in weiblicher Begrifflichkeit verstandenen Werke sind...
[Biography - Georgia O'keeffe - 9Ko]
Georgia O'Keeffe (Sun Prairie, 15 novembre 1887 – Santa Fe, 6 marzo 1986) è stata una pittrice statunitense. La sua attività artistica è associabile al precisionismo. Georgia O'Keeffe nacque in una famiglia di coltivatori. Dopo i primi studi nel Wisconsin, nel 1905 studiò a Chicago e nel 1907 a New York. Nel 1908, nella galleria newyorchese del fot...
[Biography - Georgia O'keeffe - 4Ko]
Georgia O'Keeffe(Sun Prairie, Wisconsin, 15 de noviembre de 1887 - Santa Fe, Nuevo México - 6 de marzo de 1986). Artista estadounidense, una de las pintoras mas celebradas de Estados Unidos, fue pionera en el campo de las artes visuales y famosa residente de Nuevo México. Hija de Francis Calyxtus O'Keeffe y Ida Totto O'Keeffe, nació en Sun Prairie,...
[Biography - Georgia O'keeffe - 3Ko]
Джорджия О’Киф (англ. Georgia Totto O'Keeffe, 15 ноября 1887, Висконсин — 6 марта 1986, Санта-Фе, США) — американская художница. Родители работали на молочной ферме. Дед художницы по материнской линии был эмигрантом из Венгрии. О’Киф росла в штате Виргиния, училась в Чикаго и Нью-Йорке. В 1908 она познакомилась в Нью-Йорке с фотографом и галеристом...
[Biography - Georgia O'keeffe - 3Ko]
喬治亞·歐姬芙(Georgia Totto O'Keeffe;1887年11月15日-1986年3月6日)是一位美國藝術家,被列為20世紀的藝術大師之一。歐姬芙的繪畫作品已經成為1920年代美國藝術的經典代表,她以半抽象半寫實的手法聞名,其主題相當具有特色,多為花朵微觀、岩石肌理變化,海螺、動物骨頭、荒涼的美國內陸景觀為主。她的作品中常充滿著同色調的細微變化,組成具有韻律感的構圖,某些時候歐姬芙畫中的物品外輪廓,讓觀者感到此物品的清脆感。 歐姬芙出生在美國威斯康辛州的太陽草原市。父親Francis Calyxtus O'Keeffe 和母親Ida Totto O'Keeffe經營乳牛場為生。全家有七位兄弟姐妹,歐姬芙排行第二,上有一位哥哥。 歐姬芙在威斯康辛州長大,就讀市政廳學校,並跟當地的...
[Biography - Georgia O'keeffe - 5Ko]
Georgia Totto O'Keeffe (Sun Prairie, Wisconsin, 15 de novembro de 1887 – Santa Fe, Novo México, 6 de março de 1986) foi uma pintora estadunidense. Estudou pintura no Art Institut of Chicago e mais tarde na Universidade de Columbia em Nova Iorque. Enquadrada na pintura modernista tem telas onde pinta os sedutores arranha-céus que nos finais do sécul...
[Biography - Georgia O'keeffe - 2Ko]
ジョージア・オキーフ(Georgia O'Keeffe 、1887年11月15日 - 1986年3月6日)は、20世紀のアメリカを代表する女性画家。夫は写真家のアルフレッド・スティーグリッツ。 70年にも及ぶ長い画歴のなかで、ほとんど風景、花、そして動物の骨だけをテーマとして描きつづけた。なかでも彼女を一躍有名にした画面いっぱいに拡大して花の絵を描いた作品群や、牛の頭蓋骨をイコンのように威厳を込めて描いた作品群がよく知られる。またアメリカで(世界的にみても)抽象画を描きはじめた最初期の画家の一人でもあり、基本的には具象的モチーフにこだわりつつも、時おり抽象画も手がけ、生涯にわたって抽象への関心を抱き続けた。 オキーフはウィスコンシン州の農家に生まれた。父はアイルランド系、母はハンガリーからの...
[Biography - Georgia O'keeffe - 2Ko]
-- -- -- -- -- -