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Portfolio Gerard David. The complete works. (115: Illumination, Metal, Oil, Oil On Canvas, Oil On Panel, Panel)

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  • Gerard David - The Marriage at Cana
  • Gerard David - Pilate's Dispute with the High Priest
  • Gerard David - Altar of Archangel Michael
  • Gerard David - The Adoration of the Magi
  • Gerard David - The Virgin and Child with Saints and Donor
  • Gerard David - The Virgin of the Annunciation
  • Gerard David - The Judgment of Cambyses
  • Gerard David - The Rest on the Flight into Egypt
  • Gerard David - The Nativity (detail)
  • Gerard David - The Adoration of Kings, National Gallery, London.
  • Gerard David - The Deposition
  • Gerard David - Portrait of a Goldsmith
  • Gerard David - Lineage of Saint Anne
  • Gerard David - Triptych of the Sedano Family
  • Gerard David - Christ Nailed to the Cross
  • Gerard David - The Flaying of the Corrupt Judge Sisamnes
  • Gerard David - The Holy Women and St John at Golgotha
  • Gerard David - Canon Bernardijn Salviati and Three Saints
  • Gerard David - The Rest on the Flight into Egypt
  • Gerard David - The Judgement of Cambyses
  • Gerard David - The Virgin and Child in a Landscape
  • Gerard David - The Adoration of the Kings
  • Gerard David - Polyptych of Cervara: St. Jerome
  • Gerard David - Adoration of the Kings
  • Gerard David - The Judgment of Cambyses (detail) (10)
  • Gerard David - Madonna with Angels and Saints
  • Gerard David - Canon Bernardinus de Salviatis and Three Saints
 
All 115 Artworks from Gerard David





Gerard David (c. 1460 – August 13, 1523) was an Early Netherlandish painter and manuscript illuminator known for his brilliant use of color.

Life


He was born in Oudewater, now located in Utrecht. He spent his mature career in Bruges, where he was a member of the painters' guild. Upon the death of Hans Memling in 1494, David became Bruges' leading painter.

David had been completely forgotten when in the early 1860s he was rescued from oblivion by William Henry James Weale, whose researches in the archives of Bruges brought to light the main facts of the painter's life and led to the reconstruction of David's artistic personality, beginning with the recognition of David's only documented work, the Virgin Among Virgins at Rouen. There is now documentary evidence for the following: that David came to Bruges in 1483, presumably from Haarlem, where he had formed his early style under Albert van Oudewater; he joined the guild of St Luke at Bruges in 1484 and became dean of the guild in 1501; in 1496 he married Cornelia Cnoop, daughter of the dean of the goldsmiths' guild; he became one of the town's leading citizens; he died on August 13, 1523 and was buried in the Church of Our Lady at Bruges.

Work

Gerard David's Triptych of the Sedano family, 1523, an example of Oriental carpets in Renaissance painting. Louvre Museum.(Note: Many work locations are as of 1911 and may be out of date) In his early work, David had followed Haarlem artists such as Dirck Bouts, Albert van Oudewater and Geertgen tot Sint Jans, though he had already given evidence of superior power as a colourist. To this early period belong the St John of the Kaufmann collection in Berlin and the Saltings St Jerome. In Bruges he studied and copied masterpieces by the Van Eycks, Rogier van der Weyden, and Hugo van der Goes. Here he came directly under the influence of Memling, the master whom he followed most closely. It was from him that David acquired a solemnity of treatment, greater realism in the rendering of human form, and an orderly arrangement of figures.

Another master was to influence him later in life, when in 1515 he visited Antwerp and was impressed with the work of Quentin Matsys, who had introduced a greater vitality and intimacy in the conception of sacred themes. David's Pietà in the National Gallery, London, and the Descent from the Cross in the Cavallo collection Paris (Guildhall, 1906), were painted under this influence and are remarkable for their sense of dramatic movement. But the works on which David's fame has rested most securely are the great altarpieces he painted before his visit to Antwerp: the Marriage of St Catherine, at the National Gallery, London; the triptych of the Madonna Enthroned and Saints of the Brignole-Sale collection in Genoa; the Annunciation of the Sigmaringen collection; and above all, the Madonna with Angels and Saints, which he painted without asking a fee from the Carmelite Nuns of Sion at Bruges, and which is now in the Rouen museum.

Only a few of his works have remained in Bruges: The Judgment of Cambyses, The Flaying of Sisamnes and the Baptism of Christ in the town museum, and the Transfiguration in the Church of Our Lady. The rest were scattered around the world, and to this may be due the oblivion into which his very name had fallen; this, and the fact that, for all the beauty and the soulfulness of his work, he had nothing innovative to add to the history of art. Even in his best work he had only given newer variations of the art of his predecessors and contemporaries. His rank among the masters was renewed, however, when a considerable number of his paintings were assembled at Bruges for a 1902 exhibition of the early Flemish painters.

He also worked closely with the leading manuscript illuminators of the day, and seems to have been brought in to paint specific important miniatures himself, among them a Virgin among virgins in the Morgan Library, and a portrait of the Emperor Maximilian in Vienna. Several of his drawings also survive, and elements from these appear in the works of other painters and illuminators for several decades after his death.

Legacy

At the time of David's death, the glory of Bruges and its painters was on the wane: Antwerp had become the leader in art as well as in political and commercial importance. Of David's pupils in Bruges, only Isenbrant, A. Cornelis and Ambrosius Benson achieved importance. Among other Flemish painters, Joachim Patinir and Jan Mabuse were to some degree influenced by him.

Eberhard Freiherr von Bodenhausen published in 1905 a very comprehensive monograph on Gerard David and his School (Munich, F. Bruckmann), together with a catalogue raisonné of his works, which, after careful analysis, are reduced to a total of forty-three paintings.
[Biography - Gerard David - 6Ko]
Gérard David (Oudewater, v. 1455 - Bruges, 1523) est un artiste-peintre flamand d’origine néerlandaise. Biographie Il est originaire d'Oudewater, près de Gouda. Il s'inscrit à la corporation des imagiers et selliers de Bruges en tant que franc-maître en 1484. Il est élu second syndic de sa corporation, puis premier syndic, et enfin doyen en 1501. I...
[Biography - Gerard David - 3Ko]
Gerard David (* um 1460 in Oudewater bei Gouda † 13. August 1523 in Brügge) war ein altniederländischer Maler. David war der Sohn des Handwerkers Jan David aus Oudewater. 1483 kam David nach Brügge und trat im Januar des darauffolgenden Jahres als Schüler in die örtliche Malergilde ein. Beim Eintritt in die Gilde galt David bereits als Schüler von...
[Biography - Gerard David - 3Ko]
Gerard David (Oudewater, 1460 circa – Bruges, 13 agosto 1523) è stato un pittore olandese. Gerard David seguì la linea artistica di Hans Memling, per le intonazioni, l'abilità di ritrarre un microcosmo umano, trasportandola su un livello di maggiore rigore e asciuttezza. Nacque a Oudewater, adesso localizzata nella provincia di Utrecht. Si trasferì...
[Biography - Gerard David - 4Ko]
Gerard David (h. 1460, Oudewater - 13 de agosto de 1523, Brujas) fue un pintor del estilo flamenco, dentro de la pintura gótica, conocido por su brillante uso del color. Nació en Oudewater, hoy ubicado en Utrecht. La mayor parte de su carrera tuvo lugar en Brujas, donde formaba parte del gremio de los pintores. A la muerte de Hans Memling en 1494, ...
[Biography - Gerard David - 5Ko]
Жерара Давида (ок. 1460 - 13 августа 1523) был одним из первых нидерландский живописец и рукописи осветитель известен своими блестящими использование цвета. Жизнь Он родился в Oudewater, в настоящее время находится в Утрехте. Он провел свои зрелые карьеры в Брюгге, где он был членом гильдии живописцев. После смерти Ганса Мемлинга в 1494 году, Дэвид...
[Biography - Gerard David - 6Ko]
杰勒德大卫(公元前1460 - 8月13日,1523)是早期尼德兰画家和手稿为他辉煌的色彩使用的照明灯。 生命 他出生在Oudewater,现位于乌得勒支。他度过了他在布鲁日的成熟的职业生涯,在那里他是一个画家的公会成员。汉斯Memling在1494年去世后,大卫成为布鲁日的领导画家。 大卫已经被完全遗忘在1860年代初,他救出从遗忘威廉亨利詹姆斯威尔,其研究拿来以光画家的生活的主要事实和重建大卫的艺术个性布鲁日的档案,开头大卫的唯一记录在案的工作的认可,其中在鲁昂处女处女。现在有以下的书面证据,大卫来到布鲁日,大概是在1483年从哈勒姆,在那里他下形成的伟业面包车Oudewater,他的早期风格,在1484他加入了布鲁日的圣路加公会,成为公会院长在1501年,在1496年,他科妮莉亚Cno...
[Biography - Gerard David - 3Ko]
Gerard David (c. 1460 - 13 de agosto, 1523) foi um pintor precoce Netherlandish e iluminador manuscrito conhecido por seu brilhante uso da cor. Vida Ele nasceu em Oudewater, agora localizado em Utrecht. Ele passou sua carreira madura, em Bruges, onde ele era membro do grêmio dos pintores. Após a morte de Hans Memling, em 1494, David tornou-se pinto...
[Biography - Gerard David - 6Ko]
ジェラルドデビッド(紀元前1460年 - 1523年8月13日)は、色の彼の華麗な使用のために知られている初期ネーデルランド画家と原稿照明だった。 ライフ 彼は現在、ユトレヒトに位置し、アウデワーテルで生まれた。彼は画家のギルドのメンバーだったブルージュ、彼の成熟したキャリアを過ごした。 1494年にハンスメムリンクの死後、ダビデはブルージュ"をリードする画家となった。 1860年代初頭に彼はから始まる、その研究ブルージュのアーカイブの画家の人生の主要な事実を明るみにし、Davidの芸術的個性の復興につながったウィリアムヘンリージェイムズウィール、によって忘却の淵から救出されたときにデイヴィッドが完全に忘れ去られていたDavidの唯一の文書化作業の認識、ルーアンで処女のうちヴァージン。以下の...
[Biography - Gerard David - 3Ko]
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