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"Christ Healing the Blind Man", Oil by El Greco (Doménikos Theotokopoulos) (1541-1614, Greece)

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'Christ Healing the Blind Man', Oil by El Greco (Doménikos Theotokopoulos) (1541-1614, Greece)
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"Christ Healing the Blind Man"

El Greco (Doménikos Theotokopoulos) - Oil

Christ Healing the Blind (1567) is a oil on panel painting by the the Spanish Renaissance painter, sculptor and architect El Greco. Three versions of this subject are known, all basically the same in composition, but differing in treatment. The earliest, an unsigned panel in Dresden, is looser in composition, smaller in conception, and introduces genre motifs of a dog, sack and pitcher in the foreground, eliminated in subsequent versions. This painting was executed under the influence of Venetian painting, in the 17th century it was attributed to Paolo Veronese, later to Jacopo Bassano. The painting (65,5 x 84 cm) is in the collection of the Gemäldegalerie, Dresden.



 
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 El Greco
El Greco is a Spanish painter whose career was the second half of 16th century. Domenikos Theotokopoulos was originally from Crete and was first trained as an icon painter in the Byzantine style. After living in Italy for nearly ten years he moved to Spain where he came to be known simply as ‘El Greco’. The name suck and that is the title which he is most known as today.
 El Greco
El Greco is a Spanish painter whose career was the second half of 16th century. Domenikos Theotokopoulos was originally from Crete and was first trained as an icon painter in the Byzantine style. After living in Italy for nearly ten years he moved to Spain where he came to be known simply as ‘El Greco’. The name suck and that is the title which he is most known as today.

El Greco (1541 – April 7, 1614) was a painter, sculptor, and architect of the Spanish Renaissance. "El Greco" (The Greek) was a nickname, a reference to his Greek origin, and the artist normally signed his paintings with his full birth name in Greek letters, Δομήνικος Θεοτοκόπουλος (Doménikos Theotokópoulos).

El Greco was born in Crete, which was at that time part of the Republic of Venice, and the centre of Post-Byzantine art. He trained and became a master within that tradition before travelling at age 26 to Venice, as other Greek artists had done. In 1570 he moved to Rome, where he opened a workshop and executed a series of works. During his stay in Italy, El Greco enriched his style with elements of Mannerism and of the Venetian Renaissance. In 1577, he moved to Toledo, Spain, where he lived and worked until his death. In Toledo, El Greco received several major commissions and produced his best known paintings.

El Greco's dramatic and expressionistic style was met with puzzlement by his contemporaries but found appreciation in the 20th century. El Greco is regarded as a precursor of both Expressionism and Cubism, while his personality and works were a source of inspiration for poets and writers such as Rainer Maria Rilke and Nikos Kazantzakis. El Greco has been characterized by modern scholars as an artist so individual that he belongs to no conventional school. He is best known for tortuously elongated figures and often fantastic or phantasmagorical pigmentation, marrying Byzantine traditions with those of Western painting
Born in 1541, in either the village of Fodele or Candia (the Venetian name of Chandax, present day Heraklion) in Crete, El Greco was descended from a prosperous urban family, which had probably been driven out of Chania to Candia after an uprising against the Venetians between 1526 and 1528. El Greco's father, Geórgios Theotokópoulos (d. 1556), was a merchant and tax collector. Nothing is known about his mother or his first wife, a Greek woman. El Greco's older brother, Manoússos Theotokópoulos (1531 – December 13, 1604), was a wealthy merchant and spent the last years of his life (1603–1604) in El Greco's Toledo home.

El Greco received his initial training as an icon painter of the Cretan school, the leading centre of post-Byzantine art. In addition to painting, he probably studied the classics of ancient Greece, and perhaps the Latin classics also; he left a "working library" of 130 books at his death, including the Bible in Greek and an annotated Vasari. Candia was a center for artistic activity where Eastern and Western cultures co-existed harmoniously, where around two hundred painters were active during the 16th century, and had organized a painters' guild, based on the Italian model. In 1563, at the age of twenty-two, El Greco was described in a document as a "master" ("maestro Domenigo"), meaning he was already a master of the guild and presumably operating his own workshop. Three years later, in June 1566, as a witness to a contract, he signed his name as μαΐστρος Μένεγος Θεοτοκόπουλος σγουράφος (Master Menégos Theotokópoulos, painter).

Most scholars believe that the Theotokópoulos "family was almost certainly Greek Orthodox", although some Catholic sources still claim him from birth. Like many Orthodox emigrants to Europe, he apparently transferred to Catholicism after his arrival, and certainly practiced as a Catholic in Spain, where he described himself as a "devout Catholic" in his will. The extensive archival research conducted since the early 1960s by scholars, such as Nikolaos Panayotakis, Pandelis Prevelakis and Maria Constantoudaki, indicates strongly that El Greco's family and ancestors were Greek Orthodox. One of his uncles was an Orthodox priest, and his name is not mentioned in the Catholic archival baptismal records on Crete. Prevelakis goes even further, expressing his doubt that El Greco was ever a practicing Roman Catholic.

Lacking the favor of the king, El Greco was obliged to remain in Toledo, where he had been received in 1577 as a great painter. According to Hortensio Félix Paravicino, a 17th-century Spanish preacher and poet, "Crete gave him life and the painter's craft, Toledo a better homeland, where through Death he began to achieve eternal life." In 1585, he appears to have hired an assistant, Italian painter Francisco Preboste, and to have established a workshop capable of producing altar frames and statues as well as paintings. On March 12, 1586 he obtained the commission for The Burial of the Count of Orgaz, now his best-known work.The decade 1597 to 1607 was a period of intense activity for El Greco. During these years he received several major commissions, and his workshop created pictorial and sculptural ensembles for a variety of religious institutions. Among his major commissions of this period were three altars for the Chapel of San José in Toledo (1597–1599); three paintings (1596–1600) for the Colegio de Doña María de Aragon, an Augustinian monastery in Madrid, and the high altar, four lateral altars, and the painting St. Ildefonso for the Capilla Mayor of the Hospital de la Caridad (Hospital of Charity) at Illescas (1603–1605). The minutes of the commission of The Virgin of the Immaculate Conception (1607–1613), which were composed by the personnel of the municipality, describe El Greco as "one of the greatest men in both this kingdom and outside it".

Between 1607 and 1608 El Greco was involved in a protracted legal dispute with the authorities of the Hospital of Charity at Illescas concerning payment for his work, which included painting, sculpture and architecture;this and other legal disputes contributed to the economic difficulties he experienced towards the end of his life. In 1608, he received his last major commission: for the Hospital of Saint John the Baptist in Toledo.


El Greco made Toledo his home. Surviving contracts mention him as the tenant from 1585 onwards of a complex consisting of three apartments and twenty-four rooms which belonged to the Marquis de Villena. It was in these apartments, which also served as his workshop, that he passed the rest of his life, painting and studying. He lived in considerable style, sometimes employing musicians to play whilst he dined. It is not confirmed whether he lived with his Spanish female companion, Jerónima de Las Cuevas, whom he probably never married. She was the mother of his only son, Jorge Manuel, born in 1578, who also became a painter, assisted his father, and continued to repeat his compositions for many years after he inherited the studio.[j] In 1604, Jorge Manuel and Alfonsa de los Morales gave birth to El Greco's grandson, Gabriel, who was baptized by Gregorio Angulo, governor of Toledo and a personal friend of the artist.


During the course of the execution of a commission for the Hospital Tavera, El Greco fell seriously ill, and a month later, on April 7, 1614, he died. A few days earlier, on March 31, he had directed that his son should have the power to make his will. Two Greeks, friends of the painter, witnessed this last will and testament (El Greco never lost touch with his Greek origins). He was buried in the Church of Santo Domingo el Antigua, aged 73.

Domínikos Theotokópoulos (en grec &Delta &omicron &mu ή&nu &iota &kappa &omicron &sigmaf &Theta &epsilon &omicron &tau &omicron &kappa ό&pi &omicron &upsilon &lambda &omicron &sigmaf 1) dit El Greco (« le Grec »)2, né en 1541 (?) en Crète3 à Candie (aujourd’hui Héraklion) 4, mort le 7 avril 1614, à Tolède (Espagne), est un peintre, sculpteur et ar...
El Greco (span. el &sbquo der‘, ital. Greco &sbquo Grieche‘ * um 1541 auf Kreta in Candia (heute Iraklio) oder in Fodele[1] &dagger 7. April 1614 in Toledo eigentlich Domínikos Theotokópoulos, griechisch &Delta &omicron &mu ή&nu &iota &kappa &omicron &sigmaf &Theta &epsilon &omicron &tau &omicron &kappa ό&pi &omicron &upsilon &lambda &omicron ...
El Greco - pseudonimo di Dominikos Theotokopoulos (&Delta &omicron &mu ή&nu &iota &kappa &omicron &sigmaf &Theta &epsilon &omicron &tau &omicron &kappa ό&pi &omicron &upsilon &lambda &omicron &sigmaf ) - (Candia, 1541 - Toledo, 7 aprile 1614) è stato un pittore, scultore e architetto greco vissuto in Spagna. è la figura più importante del Rinascim...
Doménikos Theotokópoulos , en griego &Delta &omicron &mu ή&nu &iota &kappa &omicron &sigmaf &Theta &epsilon &omicron &tau &omicron &kappa ό&pi &omicron &upsilon &lambda &omicron &sigmaf (Candía, 1541 - Toledo, 1614), conocido como el Greco («el griego»),1 fue un pintor del final del Renacimiento que desarrolló un estilo muy personal en sus obras ...
Эль Греко (1541 - 7 апреля 1614 г.) был художник, скульптор, и архитектор испанского Возрождения. "Эль Греко" (греч.) был ник, ссылку на его греческое происхождение, и художник обычно подписывал свои картины с его полное имя рождения в греческих букв, &Delta &omicron &mu ή&nu &iota &kappa &omicron &sigmaf &Theta &epsilon &omicron &tau &omicron &ka...
格列柯(1541 - 1614年4月7日,)和西班牙文艺复兴时期的画家,雕塑家,建筑师。 “格列柯”(希腊),是一个绰号,他的希腊血统的引用,艺术家通常他的画,他在希腊字母的诞生名字,&Delta &omicron &mu ή&nu &iota &kappa &omicron &sigmaf &Theta &epsilon &omicron &tau &omicron &kappa ό&pi &omicron &upsilon &lambda &omicron &sigmaf (Doménikos Theotokópoulos)签署。 格列柯是出生在克里特岛,威尼斯共和国的一部分时间,和后拜占庭艺术的中心。他训练,并成为在这一传统在出行前在26岁到威尼斯,其他希腊艺术家做了主。 1570年,...
El Greco (1541 - 07 de abril de 1614) foi um pintor, escultor e arquiteto do Renascimento espanhol. "El Greco" (O grego) foi um apelido, uma referência à sua origem grega, e normalmente o artista assinava seus quadros com o seu nome de nascimento completa em letras gregas, &Delta &omicron &mu ή&nu &iota &kappa &omicron &sigmaf &Theta &epsilon &omi...
エルグレコ(1541 - 1614年4月7日)は画家、​​彫刻家、そしてスペインのルネサンスの建築家だった。 "エルグレコは"(ギリシャ語)ニックネーム、彼のギリシャ語に起源への参照、および芸術家は通常、ギリシャ文字で彼の完全な生れの名前、&Delta &omicron &mu ή&nu &iota &kappa &omicron &sigmaf &Theta &epsilon &omicron &tau &omicron &kappa ό&pi &omicron &upsilon &lambda &omicron &sigmaf (Doménikos Theotokópoulos)と彼の絵画に署名した。 エルグレコはヴェネツィア共和国の当時の一部、およびポストビザンチン芸術の中心にあったク...

 

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"Christ Healing the Blind Man", Oil by El Greco (Doménikos Theotokopoulos) (1541-1614, Greece)
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Christ Healing the Blind (1567) is a oil on panel painting by the the Spanish Renaissance painter, sculptor and architect El Greco. Three versions of this subject are known, all basically the same in composition, but differing in treatment. The earliest, an unsigned panel in Dresden, is looser in composition, smaller in conception, and introduces genre motifs of a dog, sack and pitcher in the foreground, eliminated in subsequent versions. This painting was executed under the influence of Venetian painting, in the 17th century it was attributed to Paolo Veronese, later to Jacopo Bassano. The painting (65,5 x 84 cm) is in the collection of the Gemäldegalerie, Dresden.
El Greco (Doménikos Theotokopoulos)
Oil
Oil
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