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Gloucester Harbor, Oil On Canvas by Willard Leroy Metcalf (1858-1925, United States)

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Framed Giclee Fine Art Gloucester Harbor - Oil On Canvas By Willard Leroy Metcalf , Framed Giclee Fine Art Gloucester Harbor - Oil On Canvas By Willard Leroy Metcalf
Gloucester Harbor, Oil On Canvas by Willard Leroy Metcalf (1858-1925, United States)

"Gloucester Harbor"

Willard Leroy Metcalf - Oil On Canvas - 66 x 73 cm - 1895 - (Mead Art Museum (United States))

This luminous seascape by Willard Metcalf depicts the harbor of picturesque and storied Gloucester, Massachusetts, a popular destination for many American artists throughout the nineteenth century. Metcalf’s generally light palette and broken, but controlled brush marks reveal his study of French Impressionism, which was enhanced by visits to Giverny, France, home of Claude Monet. Adapting Impressionist techniques, the artist rendered shapes through his composition rather flatly, resembling interlocking puzzle pieces. Gloucester Harbor received a prominent award in 1896. Metcalf’s achievement was one of numerous signs late in the century that audiences had grown to prefer scenes of pleasing, familiar environs over grandiose landscape paintings, such as those produced by the members of the Hudson River School.



 
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Gloucester Harbor, Oil On Canvas by Willard Leroy Metcalf (1858-1925, United States)
/Art.nsf/O/8DP9JK/$File/Willard-Leroy-Metcalf-Gloucester-Harbor.JPG
This luminous seascape by Willard Metcalf depicts the harbor of picturesque and storied Gloucester, Massachusetts, a popular destination for many American artists throughout the nineteenth century. Metcalf’s generally light palette and broken, but controlled brush marks reveal his study of French Impressionism, which was enhanced by visits to Giverny, France, home of Claude Monet. Adapting Impressionist techniques, the artist rendered shapes through his composition rather flatly, resembling interlocking puzzle pieces. Gloucester Harbor received a prominent award in 1896. Metcalf’s achievement was one of numerous signs late in the century that audiences had grown to prefer scenes of pleasing, familiar environs over grandiose landscape paintings, such as those produced by the members of the Hudson River School.
Willard Leroy Metcalf
Oil On Canvas
Oil On Canvas
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