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Painting, 1933 by Joan Miro (1893-1937, Spain)

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Framed Giclee Fine Art Painting - 1933 By Joan Miro , Framed Giclee Fine Art Painting - 1933 By Joan Miro
Painting, 1933 by Joan Miro (1893-1937, Spain)
Framed Giclee Fine Art Painting - 1933 By Joan Miro , Framed Giclee Fine Art Painting - 1933 By Joan Miro

"Painting"

Joan Miro - 130 x 163 cm - 1933 - (Fundació Joan Miró (Barcelona, Spain))

Painting, 1933 ,one of the famous abstract oil paintings of Joan Miro.Surrealist Spanish artist Joan Miropaints with childlike exuberance in joyful rebellion against conventional painting methods. Influenced by the 1920's Paris counterculture, his art is filled with wonderful absurdity. He often uses primary and secondary colors as well as organic shapes to convey a lively, energetic zest for life - beyond mere child's play.
The title Painting seems inconsequential until you recognize that what Miróhas done is express in the simplest terms possible what poetic painting is about: the artist himself. In Miró's mind he has created a "painting" which, by definition, can only be a reflection of his own self. That is how we think too and he tells us so. For instance, we can only think of our spouse in terms of our own experience, thus making our image of her or him a reflection of ourself.



This artwork may be protected by copyright. It is posted on the site in accordance with fair use principles

Reproductions or prints are not available for this artwork
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Artworks protected by copyright are supposed to be used only for contemplation. Images of that type of artworks are prohibited for copying, printing, or any kind of reproducing and communicating to public since these activities may be considered copyright infringement. More



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Painting, 1933 by Joan Miro (1893-1937, Spain)
/Art.nsf/O/8EWKY5/$File/Joan-Miro-Painting.JPG
Painting, 1933 ,one of the famous abstract oil paintings of Joan Miro.Surrealist Spanish artist Joan Miropaints with childlike exuberance in joyful rebellion against conventional painting methods. Influenced by the 1920's Paris counterculture, his art is filled with wonderful absurdity. He often uses primary and secondary colors as well as organic shapes to convey a lively, energetic zest for life - beyond mere child's play. The title Painting seems inconsequential until you recognize that what Miróhas done is express in the simplest terms possible what poetic painting is about: the artist himself. In Miró's mind he has created a "painting" which, by definition, can only be a reflection of his own self. That is how we think too and he tells us so. For instance, we can only think of our spouse in terms of our own experience, thus making our image of her or him a reflection of ourself.
Joan Miro
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