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Waterfall, Oil On Canvas by Arshile Gorky (1904-1948, Turkey)

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Painting Copy Fine Art Waterfall, Oil On Canvas By Arshile Gorky , Oil Painting Fine Art Arshile Gorky
Waterfall, Oil On Canvas by Arshile Gorky (1904-1948, Turkey)
Painting Copy Fine Art Arshile Gorky , Framed Print Fine Art Arshile Gorky

"Waterfall"

Arshile Gorky - Oil On Canvas - 97 x 24 cm - 1943 - (Hirshhorn Museum and Sculpture Garden (Washington, United States))

The Waterfall is mid 20th century painting by Armenian American artist Arshile Gorky. The dimension of painting is 96.8 cm by 24 cm and is housed in Hirshhorn Museum and Sculpture Garden in Washington DC. It is an oil painting based on surrealism style and abstract genre.

Waterfall was developed from some actual scene. The figures in the painting are not distortions, nor do they correspond only diagrammatically to people, but they do sustain the presence of the representational figure, partaking of height width, volume, and to a limited extent, personality. They certainly possess gender and are not merely ciphers for "people". In the upper centerm at the right base of a triangle near the top, rests a dark blue-green circle that denotes the head of a man. Beneath the head are two arms, green oblongs, that rest horizontally on the shoulders of a woman. The couple is more detailed than spontaneous abstraction would seem to allow.



 
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Arshile Gorky ( /ˌɑrʃiːl ˈɡɔrkiː/; born Vosdanig Manoug Atoian (Armenian: Ոստանիկ Մանուկ Ադոեան) (April 15, 1904? – July 21, 1948) was an Armenian American painter, who had a seminal influence on Abstract Expressionism. As such, his works were often speculated to have been informed by the suffering and loss he experienced of the Armenian Genocide.

Gorky was born Vostanik Manuk Adoyan in the village of Khorgom, situated on the shores of Lake Van in Ottoman Empire. It is not known exactly when he was born: it was sometime between 1902 and 1905. In later years Gorky was vague about even the date of his birth, changing it from year to year. In 1910 his father emigrated to America to avoid the draft, leaving his family behind in the town of Van.

In 1915 Gorky fled Lake Van during the Armenian Genocide and escaped with his mother and his three sisters into Russian-controlled territory. In the aftermath of the genocide, Gorky's mother died of starvation in Yerevan in 1919. Arriving in America in 1920, the 16-year old Gorky was reunited with his father, but they never grew close. At age 31, Gorky married. In the process of reinventing his identity, he changed his name to "Arshile Gorky", even telling people he was a relative of the Russian writer Maxim Gorky.

In 1922, Gorky enrolled in the New School of Design in Boston, eventually becoming a part-time instructor. During the early 1920s he was influenced by Impressionism, although later in the decade he produced works that were more postimpressionist. During this time he was living in New York and was influenced by Paul Cézanne. In 1925 he was asked by Edmund Greacen of the Grand Central Art Galleries to teach at the Grand Central School of Art; Gorky accepted and remained with them until 1931. In 1927, Gorky met Ethel Kremer Schwabacher and developed a lifelong friendship. Schwabacher was his first biographer. Gorky said:

In 1933, Arshile Gorky became one of the first artists to become employed by the Works Progress Administration Federal Art Project. This later came to include such artists as Alice Neel, Lee Krasner, Jackson Pollock, Diego Rivera and Mark Rothko.

Notable paintings from this time include Landscape in the Manner of Cézanne (1927) and Landscape, Staten Island (1927–1928). At the close of the 1920s and into the 1930s he experimented with cubism, eventually moving to surrealism. The painting illustrated above, The Artist and His Mother, (ca. 1926–1936) is a memorable, moving and innovative portrait. His The Artist and His Mother paintings are based on a childhood photograph taken in Van in which he is depicted standing beside his mother. Gorky made two versions; the other is in the National Gallery of Art Washington, DC.. The painting has been likened to Ingres for simplicity of line and smoothness, to Egyptian Funerary art for pose, to Cézanne for flat planar composition, to Picasso for form and color.

Nighttime, Enigma, Nostalgia (1930–1934) is a series of complex works that characterize this phase of his painting. The canvas Portrait of Master Bill appears to depict Gorky's friend, Willem de Kooning. De Kooning said: "I met a lot of artists — but then I met Gorky... He had an extraordinary gift for hitting the nail on the head; remarkable. So I immediately attached myself to him and we became very good friends. It was nice to be foreigners meeting in some new place." However recent publications contradict the claim that the painting is of de Kooning but is actually a portrait of a Swedish carpenter Gorky called Master Bill who did some work for him in exchange for Gorky giving him art lessons.

When Gorky showed his new work to André Breton in the 1940s, after seeing the new paintings and in particular The Liver is the Cock's Comb, Breton declared the painting to be "one of the most important paintings made in America" and he stated that Gorky was a Surrealist, which was Breton's highest compliment. The painting was shown in the Surrealists' final show at the Galérie Maeght in Paris in 1947.

Michael Auping, a curator at the Modern Art Museum in Fort Worth, saw in the work a "taut sexual drama" combined with nostalgic allusions to Gorky's Armenian past. The work in 1944 shows his emergence in the 1940s from the influence of Cézanne and Picasso into his own style, and is perhaps his greatest work. It is over six feet high and eight feet wide, depicting "an abstract landscape filled with watery plumes of semi-transparent color that coalesce around spiky, thornlike shapes, painted in thin, sharp black lines, as if to suggest beaks and claws."

This peak period of Gorky's work was cut short. His final years were filled with immense pain and heartbreak. His studio barn burned down, he underwent a colostomy for cancer, his neck was broken and his painting arm temporarily paralyzed in a car accident, and his wife of seven years left him, taking their children with her. Gorky hanged himself in Sherman, Connecticut, in 1948, at the age of 44. He is buried in North Cemetery in Sherman, Connecticut.

His daughter, the painter Maro Gorky, married Matthew Spender, son of the British writer Sir Stephen Spender.

Gorky's contributions to American and world art are difficult to overestimate. His work as lyrical abstraction was a "new language. He "lit the way for two generations of American artists". The painterly spontaneity of mature works like "The Liver is the Cock's Comb". "The Betrothal II", and "One Year the Milkweed" immediately prefigured Abstract expressionism, and leaders in the New York School have acknowledged Gorky's considerable influence.

But his oeuvre is a phenomenal achievement in its own right, synthesizing Surrealism and the sensuous color and painterliness of the School of Paris with his own highly personal formal vocabulary. His paintings and drawings hang in every major American museum including the National Gallery of Art, the Museum of Modern Art, the Art Institute of Chicago, the Metropolitan and the Whitney Museum of American Art in New York (which maintains the Gorky Archive), and in many worldwide, including the Tate in London.

A number of English translations of letters allegedly written by Gorky in Armenian to his sisters are now considered to be fakes produced by Karlen Mooradian, a nephew of Gorky, in the late 1960s and early 1970s (especially those expressing nationalistic sentiments or imparting specific meanings to his paintings). The letters often described moods of melancholy, and expressed loneliness and emptiness, nostalgia for his country, while bitterly and vividly recalling the circumstances of his mother's death. The contents of the fake letters heavily influenced the authors of books written about Gorky and his art during the 1970s and 1980s.

15 of his paintings and drawings were destroyed in a plane crash in 1962

In June 2005, the family of the artist established the Arshile Gorky Foundation, a not-for-profit corporation formed to further the public’s appreciation and understanding of the life and artistic achievements of Arshile Gorky. The foundation is working on a catalogue raisonné of the artist's entire body of work. In October 2009, the foundation relaunched its website to provide accurate information on the artist, including a biography, bibliography, exhibition history, and list of archival sources.

In October 2009 the Philadelphia Museum of Art held a major Arshile Gorky exhibition: Arshile Gorky: A Retrospective On June 6, 2010, an exhibit of the same name opened at the Museum of Contemporary Art (MOCA) in Los Angeles.

[Biography - Arshile Gorky - 9Ko]
Arshile Gorky (en arménien Արշիլ Գորկի), né Vosdanik Manoug Adoian (Վոստանիկ Մանուկ Ադոյան), le 14 avril 1904 à Hayotz Dzor (vilayet de Van, Empire ottoman) et mort le 21 juillet 1948, à Sherman, Connecticut (États-Unis), est un peintre arménien naturalisé américain. Né sur les bords du lac de Van, dans l'Empire ottoman, Vosdanik Manoug Adoian a 2 ...
[Biography - Arshile Gorky - 3Ko]
Vostanik Adoyan, besser bekannt unter dem Pseudonym Arshile Gorky (* 15. April 1904 in Khorkom, Vari Hayoz Dzor, Vilayet Van † 21. Juli 1948 in Sherman, Connecticut, USA) war ein aus dem heute zur Türkei gehörenden West-Armenien stammender Zeichner und Maler, der 1939 die amerikanische Staatsangehörigkeit annahm. Er war, obwohl er selbst sich der ...
[Biography - Arshile Gorky - 13Ko]
Vostanik Manoog Adoyan, noto come Arshile Gorky (Khorkom, 15 aprile 1904 – Sherman, 21 luglio 1948), è stato un pittore armeno naturalizzato statunitense, esponente dell'espressionismo astratto. Prese lo pseudonimo di "Arshile Gorky" in omaggio allo scrittore russo Maksim Gorky, ("gorky" in russo significa "amaro"), che come lui fece una vita erran...
[Biography - Arshile Gorky - 3Ko]
Vostanik Manoog Adoyan, mejor conocido como Arshile Gorky (15 de abril de 1904 - 21 de julio de 1948), fue un pintor armenio naturalizado estadounidense y exponente del arte abstracto. Gorky nació en la Armenia Otomana en el pueblo de Khorkom, cerca de la ciudad armenia de Van, hoy en Turquía. No se conoce la fecha exacta de su nacimiento, debido a...
[Biography - Arshile Gorky - 5Ko]
Арши́ль Го́рки (англ. Arshile Gorky, настоящее имя Востаник Манук Адоян (арм. Ոստանիկ Մանուկ Ադոյան) 1904, Хорком, Ван, Османская империя — 21 июля 1948, Шерман, Коннектикут, США) — американский художник, один из основателей «абстрактного сюрреализма». Горки считается одним из влиятельнейших американских художников XX века, его картины выставлены ...
[Biography - Arshile Gorky - 4Ko]
阿希尔·戈尔基(英语:Arshile Gorky,出生名亞美尼亞語:Ոստանիկ Մանուկ Ադոեան,1904年4月15日-1948年7月21日)是一个亚美尼亚裔美国画家,他的作品风格深受抽象表现主义的影响,表现亚美尼亚种族灭绝的痛苦和损失。 1904年,戈尔基出生在奥斯曼土耳其帝国,1910年,他的父亲移居到美国。1915年,戈尔基跟着母亲开始逃离遭到种族灭绝的亚美尼亚,在大屠杀的黑暗下,他的母亲在1919年饿死在埃里温。1920年,戈尔基抵达美国和父亲团聚,当时他16岁,此后他和父亲的关系一直没有达到亲密程度。31岁时,戈尔基结婚,并且改名字为“阿希尔·戈尔基”。 1922年,戈尔基进入波士顿的新学校读书,学习设计。在1920年代,戈尔基的作品风格深受印象派的影响,尤其是保罗·...
[Biography - Arshile Gorky - 2Ko]
Arshak Gorky, mais conhecido como Arshile Gorky, foi um pintor ativo na primeira metade do século XX nos Estados Unidos da América. Nasceu em 1904 no leste da Armênia. Dois anos depois seu pai emigrou para os Estados Unidos, para fugir ao alistamento forçado no exército turco. Em 1909 começou a desenhar e pintar. Em 1920 frequentou a Technical High...
[Biography - Arshile Gorky - 2Ko]
アーシル・ゴーキー(Arshile Gorky, 本名ヴォスダニック・マヌーク・アドヤン1904年4月15日 - 1948年7月21日)は、20世紀のアルメニア出身のアメリカの画家。 1904年、アルメニアに生まれる。オスマン帝国領のヴァンの近くに住んでいたが、1915年のアルメニア人虐殺の間に母親を失い、生き延びたゴーキーは、先にアメリカに渡っていた父親を頼って1920年にアメリカに移住した。 1922年にボストンの美術学校に入学、パートタイムで教えるようにもなった。このころは印象派からの影響を強く受けていた。 生命体を思わせる有機的な形態がうごめき、場所によっては叩き付けた絵具が流れ落ちるままになっているその画面は、抽象表現主義やシュルレアリスムのオートマティスム(自動書記)の影響を感じ...
[Biography - Arshile Gorky - 2Ko]

 

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Waterfall, Oil On Canvas by Arshile Gorky (1904-1948, Turkey)
/Art.nsf/O/8XXP5J/$File/Arshile-Gorky-Waterfall-2-.JPG
The Waterfall is mid 20th century painting by Armenian American artist Arshile Gorky. The dimension of painting is 96.8 cm by 24 cm and is housed in Hirshhorn Museum and Sculpture Garden in Washington DC. It is an oil painting based on surrealism style and abstract genre.[/br] Waterfall was developed from some actual scene. The figures in the painting are not distortions, nor do they correspond only diagrammatically to people, but they do sustain the presence of the representational figure, partaking of height width, volume, and to a limited extent, personality. They certainly possess gender and are not merely ciphers for "people". In the upper centerm at the right base of a triangle near the top, rests a dark blue-green circle that denotes the head of a man. Beneath the head are two arms, green oblongs, that rest horizontally on the shoulders of a woman. The couple is more detailed than spontaneous abstraction would seem to allow.
Arshile Gorky
Oil On Canvas
Oil On Canvas
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