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Wild Poppies, near Argenteuil, Oil On Canvas by Claude Monet (1840-1926, France)

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Art Reproduction Fine Art Wild Poppies - Near Argenteuil - Oil On Canvas By Claude Monet , Art Reproduction Fine Art Wild Poppies - Near Argenteuil - Oil On Canvas By Claude Monet
Wild Poppies, near Argenteuil, Oil On Canvas by Claude Monet (1840-1926, France)
Art Reproduction Fine Art Wild Poppies - Near Argenteuil - Oil On Canvas By Claude Monet , Art Reproduction Fine Art Wild Poppies - Near Argenteuil - Oil On Canvas By Claude Monet

"Wild Poppies, near Argenteuil"

Claude Monet - Oil On Canvas - 65 x 50 cm - 1873

He showed Poppy Field to the public at the first Impressionist exhibition held in the photographer Nadar's disused studio in 1874. Now one of the world's most famous paintings, it conjures up the vibrant atmosphere of a stroll through the fields on a summer's day. Monet diluted the contours and constructed a colorful rhythm with blobs of paint starting from a sprinkling of poppies
the disproportionately large patches in the foreground indicate the primacy he put on visual impression. A step towards abstraction had been taken.
In the landscape, a mother and child pair in the foreground and another in the background are merely a pretext for drawing the diagonal line that structures the painting. Two separate color zones are established, one dominated by red, the other by a bluish green. The young woman with the sunshade and the child in the foreground are probably the artist's wife, Camille, and their son Jean.



 
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Wild Poppies, near Argenteuil, Oil On Canvas by Claude Monet (1840-1926, France)
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He showed Poppy Field to the public at the first Impressionist exhibition held in the photographer Nadar's disused studio in 1874. Now one of the world's most famous paintings, it conjures up the vibrant atmosphere of a stroll through the fields on a summer's day. Monet diluted the contours and constructed a colorful rhythm with blobs of paint starting from a sprinkling of poppies; the disproportionately large patches in the foreground indicate the primacy he put on visual impression. A step towards abstraction had been taken. In the landscape, a mother and child pair in the foreground and another in the background are merely a pretext for drawing the diagonal line that structures the painting. Two separate color zones are established, one dominated by red, the other by a bluish green. The young woman with the sunshade and the child in the foreground are probably the artist's wife, Camille, and their son Jean.
Claude Monet
Oil On Canvas
Oil On Canvas
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