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"The tree" by Frantisek Kupka (1871-1957, Czech Republic)

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Artwork Frantisek Kupka , Artwork Frantisek Kupka
'The tree' by Frantisek Kupka (1871-1957, Czech Republic)
Artwork Frantisek Kupka , Artwork Frantisek Kupka



 
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František Kupka (September 23, 1871 - June 24, 1957) was a Czech painter and graphic artist. He was a pioneer and co-founder of the early phases of the abstract art movement and Orphic cubism (Orphism). Kupka's abstract works arose from a base of realism, but later evolved into pure abstract art.

František Kupka was born in Opocno, eastern Bohemia (now Czech Republic) in 1871. From 1889 to 1892, he studied at the Prague Art Academy. At this time, he painted historical and patriotic themes. Kupka enrolled at the Akademie der Bildenden Künste in Vienna, where he concentrated on symbolic and allegorical subjects. He was influenced by the painter and social reformer Karl Wilhelm Diefenbach (1851-1913) and his naturistic life-style. Kupka exhibited at the Kunstverein, Vienna, in 1894. His involvement with theosophy and Eastern philosophy dates from this period. By spring 1894, Kupka had settled in Paris; there he attended the Académie Julian briefly and then studied with Jean-Pierre Laurens at the Ecole des Beaux-Arts.

Kupka worked as an illustrator of books and posters and, during his early years in Paris, became known for his satirical drawings for newspapers and magazines. In 1906, he settled in Puteaux, a suburb of Paris, and that same year exhibited for the first time at the Salon d'Automne. Kupka was deeply impressed by the first Futurist Manifesto, published in 1909 in Le Figaro. Kupka’s 1909 painting Piano Keyboard/Lake marked a break in his representational style. His work became increasingly abstract around 1910–11, reflecting his theories of motion, color, and the relationship between music and painting (orphism). In 1911, he attended meetings of the Puteaux Group (Section d'Or). In 1912, he exhibited at the Salon des Indépendants in the Cubist room, although he did not wish to be identified with any movement. Creation in the Plastic Arts, a book Kupka completed in 1913, was published in Prague in 1923.

In 1931, he was a founding member of Abstraction-Création. In 1936, his work was included in the exhibition Cubism and Abstract Art at the Museum of Modern Art in New York City, and in an important show with another Czech painter Alphonse Mucha at the Jeu de Paume in Paris. A retrospective of his work took place at the Galerie Mánes in Prague in 1946. The same year, Kupka participated in the Salon des Réalités Nouvelles, where he continued to exhibit regularly until his death. During the early 1950s, he gained general recognition and had several solo shows in New York.

Between 1919 and 1938 Kupka was financially supported by his good friend, art collector and industrialist Jindrich Waldes who accumulated a substantial collection of his art. Kupka died in 1957 in Puteaux, France.

Kupka had a strong interest in color theory. His decadent 1907 self-portrait The Yellow Scale prefigures his abstract emphasis on color. Around 1910 he began developing his own color wheels, adapting a format previously explored by Sir Isaac Newton and Hermann von Helmholtz. This work in turn led Kupka to execute a series of paintings he called "Discs of Newton" (1911-12). Kupka was interested in freeing colors from descriptive associations. His work in this area is thought to have influenced other artists like Robert Delaunay.
[Biography - Frantisek Kupka - 4Ko]
Franti&scaron ek Kupka est né en Opocno, Bohême de l'Est (maintenant la République tchèque) en 1871. De 1889 à 1892, il a étudié à l'Académie de Prague Art. A cette époque, il peint des thèmes historiques et patriotiques. Kupka inscrits à l'Akademie der Künste Bildenden à Vienne, où il s'est concentré sur des sujets symboliques et allégoriques. Il ...
[Biography - Frantisek Kupka - 5Ko]
Franti&scaron ek Kupka wurde in Opocno-, Ost-Böhmen (heute Tschechien) im Jahre 1871 geboren. Von 1889 bis 1892 studierte er an der Prager Kunstakademie. Zu dieser Zeit malte er historische und patriotische Themen. Kupka schreibt sich an der Akademie der Bildenden Künste in Wien, wo er auf symbolische und allegorische Themen konzentriert. Er wurde ...
[Biography - Frantisek Kupka - 4Ko]
Franti&scaron ek Kupka è nato a Opocno, Boemia orientale (ora Repubblica Ceca) nel 1871. Dal 1889 al 1892, ha studiato presso la Art Academy di Praga. In questo momento, dipinge temi storici e patriottici. Kupka iscritto alla Akademie der Bildenden Künste di Vienna, dove si è concentrato su argomenti simbolici e allegorici. E 'stato influenzato dal...
[Biography - Frantisek Kupka - 4Ko]
Franti&scaron ek Kupka nació en Opocno, al este de Bohemia (ahora República Checa) en 1871. De 1889 a 1892, estudió en la Academia de Arte de Praga. En este tiempo, pintó temas históricos y patrióticos. Kupka se matriculó en la Akademie der Künste Bildenden en Viena, donde se concentró en temas simbólicos y alegóricos. Fue influenciado por el pinto...
[Biography - Frantisek Kupka - 5Ko]
Франтишек Купка родился в Опочно, восточной Богемии (ныне Чехия) в 1871 году. С 1889 по 1892 г. учился в Пражской академии искусств. В это время он написал историко-патриотической тематики. Купка поступил в Академию дер Bildenden Künste в Вене, где он сконцентрировался на символические и аллегорические сюжеты. Он находился под влиянием художник и о...
[Biography - Frantisek Kupka - 4Ko]
弗兰蒂谢克库普卡出生于1871年,东部波希米亚(捷克共和国)Opocno。从1889年到1892年,他就读于布拉格美术学院。在这个时候,他画的历史和爱国主题。库普卡就读于AKADEMIE DER BildendenKünste在维也纳,他的象征和寓言的科目集中的地方。他影响的画家和社会改革者卡尔· 威廉· 迪芬巴赫(1851年至1913年)和他naturistic的生活方式。库普卡展出的艺术协会,维也纳,于1894年。参与他的神智和东方哲学的历史可以追溯到这个时期。库普卡了1894春天​​,在巴黎定居,在那里,他参加了Académie朱利安片刻,然后让 - 皮埃尔· 劳伦斯在Ecole des Beaux艺术研究。 库普卡作为书籍和海报的插画和工作,他早年...
[Biography - Frantisek Kupka - 2Ko]
フランチシェク· クプカは、1871年にOpocno、東ボヘミア(現チェコ共和国)で生まれました。 1889年から1892年に、彼はプラハ芸術アカデミーで学びました。この時点で、彼は歴史的、愛国的なテーマを描いた。クプカは、彼が象徴と寓意的主題に集中してウィーンのアカデミー· デア· Bildenden芸術大学、在籍。彼は画家と社会改革カール· ヴィルヘルム· ディーフェンバッハ(1851年から1913年)と彼のnaturisticライフスタイルの影響を受けていた。クプカは1894年に、クンストフェライン、ウィーンに出展しました。神智学と東洋哲学の彼の関与は、この期間にさかのぼる。春1894で、クプカは、パリに定住していた、そこに彼...
[Biography - Frantisek Kupka - 3Ko]
František Kupka nasceu em Opocno, Boémia oriental (agora República Tcheca) em 1871. De 1889 a 1892, ele estudou na Academia de Arte de Praga. Nessa época, pintou temas históricos e patriótico. Kupka matriculou-se na Akademie der Künste Bildenden em Viena, onde ele se concentrou em temas simbólicos e alegóricos. Ele foi influenciado pelo pintor e reformador social Karl Wilhelm Diefenbach (1851-1913) e sua naturistic estilo de vida. Kupka exibido na, Kunstverein Viena, em 1894. Seu envolvimento com a teosofia e filosofia oriental remonta a esse período. Na Primavera de 1894, Kupka se estabeleceu em Paris, lá ele freqüentou a Académie Julian brevemente e, em seguida, estudou com Jean-Pierre Laurens na École des Beaux-Arts.

Kupka trabalhou como ilustrador de livros e cartazes e, durante seus primeiros anos em Paris, tornou-se conhecido por seus desenhos satíricos para jornais e revistas. Em 1906, instalou-se em Puteaux, um subúrbio de Paris, e nesse mesmo ano expôs pela primeira vez no Salon d'Automne. Kupka ficou profundamente impressionado com o Manifesto Futurista primeiro, publicado em 1909 no Le Figaro. 1909 Kupka do teclado de piano pintura / Lake marcou uma ruptura em seu estilo de representação. Seu trabalho se tornou cada vez mais abstrata em torno 1910-11, refletindo suas teorias do movimento, a cor, ea relação entre música e pintura (orfismo). Em 1911, ele participou de reuniões do Grupo de Puteaux (Seção d'Or). Em 1912, expôs na Salon des Indépendants na sala cubista, embora ele não quer ser identificado com qualquer movimento. Criação em Artes Plásticas, um Kupka livro concluído em 1913, foi publicada em Praga em 1923.

Em 1931, ele era um membro fundador da Abstraction-Création. Em 1936, seu trabalho foi incluído no cubismo ea arte abstrata exposição no Museu de Arte Moderna de Nova York, e em um show importante com outro pintor checo Alphonse Mucha no Jeu de Paume, em Paris. Uma retrospectiva de seu trabalho teve lugar no Mánes Galerie em Praga, em 1946. No mesmo ano, Kupka participou do Salon des Réalités Nouvelles, onde continuou a expor regularmente até a sua morte. Durante os anos 1950, ele ganhou reconhecimento geral e teve várias exposições individuais em Nova York.

Entre 1919 e 1938 Kupka foi apoiada financeiramente pelo seu bom amigo, colecionador de arte e Waldes industrialistas Jindrich que acumularam uma coleção substancial de sua arte. Kupka morreu em 1957, em Puteaux, França.

Kupka tinha um forte interesse na teoria da cor. Sua decadente 1907 auto-retrato Scale The Yellow prefigura sua ênfase abstrata sobre a cor. Por volta de 1910 ele começou a desenvolver suas próprias rodas de cor, adaptação de um formato previamente explorado por Sir Isaac Newton e Hermann von Helmholtz. Este trabalho, por sua vez levou Kupka para executar uma série de pinturas que ele chamou de "discos de Newton" (1911-1912). Kupka estava interessado em libertar cores a partir de associações descritivas. Seu trabalho nessa área é pensado para ter influenciado artistas como Robert Delaunay.
[Biography - Frantisek Kupka - 4Ko]

 

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