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Night Watch, Oil On Canvas by Rembrandt Van Rijn (1606-1669, Netherlands) (buy Framed Print/order Framed Giclee/order Print on canvas)

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  Night Watch, Oil On Canvas by Rembrandt Van Rijn  (buy Fine Art Framed Print Rembrandt Van Rijn/order Fine Art Framed Giclee Rembrandt Van Rijn/order Fine Art Print on canvas Rembrandt Van Rijn/order Fine Art Poster on canvas Rembrandt Van Rijn)  
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 Rembrandt van Rijn
The single most important artist in seventeenth century Amsterdam was Rembrandt. It is no surprise that this painter became so famous as to only need to speak, or sign, his first name and receive immediate recognition, in his own time as well as today. Rembrandt was a very intelligent man, enrolling at the University of Leiden at the young age of fourteen. However, it wasn’t long afterwards that Rembrandt dropped out of the University and began to study painting. The rest, as they say, was history.
[Page - Rembrandt van Rijn - 4Ko]
 Rembrandt van Rijn
The single most important artist in seventeenth century Amsterdam was Rembrandt. It is no surprise that this painter became so famous as to only need to speak, or sign, his first name and receive immediate recognition, in his own time as well as today. Rembrandt was a very intelligent man, enrolling at the University of Leiden at the young age of fourteen. However, it wasn’t long afterwards that Rembrandt dropped out of the University and began to study painting. The rest, as they say, was history.
[Page - Rembrandt Van Rijn - 4Ko]
Rembrandt Harmenszoon van Rijn (July 15, 1606 – October 4, 1669) was a Dutch painter and etcher. He is generally considered one of the greatest painters and printmakers in European art history and the most important in Dutch history. His contributions to art came in a period that historians call the Dutch Golden Age.

Having achieved youthful success as a portrait painter, his later years were marked by personal tragedy and financial hardship. Yet his etchings and paintings were popular throughout his lifetime, his reputation as an artist remained high,and for twenty years he taught nearly every important Dutch painter. Rembrandt's greatest creative triumphs are exemplified especially in his portraits of his contemporaries, self-portraits and illustrations of scenes from the Bible. His self-portraits form a unique and intimate biography, in which the artist surveyed himself without vanity and with the utmost sincerity.

In both painting and printmaking he exhibited a complete knowledge of classical iconography, which he molded to fit the requirements of his own experience; thus, the depiction of a biblical scene was informed by Rembrandt's knowledge of the specific text, his assimilation of classical composition, and his observations of Amsterdam's Jewish population. Because of his empathy for the human condition, he has been called "one of the great prophets of civilization."


Self-portrait in a cap, with eyes wide open, etching and burin, 1630.Rembrandt Harmenszoon van Rijn was born on July 15, 1606 in Leiden, the Netherlands. He was the ninth child born to Harmen Gerritszoon van Rijn and Neeltgen Willemsdochter van Zuytbrouck. His family was quite well-to-do; his father was a miller and his mother was a baker's daughter. As a boy he attended Latin school and was enrolled at the University of Leiden, although according to a contemporary he had a greater inclination towards painting; he was soon apprenticed to a Leiden history painter, Jacob van Swanenburgh, with whom he spent three years. After a brief but important apprenticeship of six months with the famous painter Pieter Lastman in Amsterdam, Rembrandt opened a studio in Leiden in 1624 or 1625, which he shared with friend and colleague Jan Lievens. In 1627, Rembrandt began to accept students, among them Gerrit Dou.

In 1629 Rembrandt was discovered by the statesman Constantijn Huygens, the father of Christiaan Huygens (a famous Dutch mathematician and physicist), who procured for Rembrandt important commissions from the court of The Hague. As a result of this connection, Prince Frederik Hendrik continued to purchase paintings from Rembrandt until 1646.

At the end of 1631, Rembrandt moved to Amsterdam, then rapidly expanding as the new business capital of the Netherlands, and began to practice as a professional portraitist for the first time, with great success. He initially stayed with an art dealer, Hendrick van Uylenburg, and in 1634, married Hendrick's cousin, Saskia van Uylenburg. Saskia came from a good family: her father had been lawyer and burgemeester (mayor) of Leeuwarden. When Saskia, as the youngest daughter, became an orphan, she lived with an older sister in Het Bildt. They were married in the local church of St. Annaparochie without the presence of his relatives. In the same year, Rembrandt became a burgess of Amsterdam and a member of the local guild of painters. He also acquired a number of students, among them Ferdinand Bol and Govert Flinck.

Portrait of Saskia van Uylenburg, ca. 1635.In 1635 Rembrandt and Saskia moved into their own house, renting in fashionable Nieuwe Doelenstraat. In 1639, they moved to a prominent house (now the Rembrandt House Museum) in the Jodenbreestraat in what was becoming the Jewish quarter; the mortgage to finance the 13,000 guilder purchase would be a primary cause for later financial difficulties. He should easily have been able to pay it off with his large income, but it appears his spending always kept pace with his income, and he may have made some unsuccessful investments. It was there that Rembrandt frequently sought his Jewish neighbors to model for his Old Testament scenes. Although they were by now affluent, the couple suffered several personal setbacks; their son Rumbartus died two months after his birth in 1635 and their daughter Cornelia died at just 3 weeks of age in 1638. In 1640, they had a second daughter, also named Cornelia, who died after living barely over a month. Only their fourth child, Titus, who was born in 1641, survived into adulthood. Saskia died in 1642 soon after Titus's birth, probably from tuberculosis. Rembrandt's drawings of her on her sick and death bed are among his most moving works.

During Saskia's illness, Geertje Dircx was hired as Titus' caretaker and nurse and probably also became Rembrandt's lover. She would later charge Rembrandt with breach of promise and was awarded alimony of 200 guilders a year. Rembrandt worked to have her committed for twelve years to an asylum or poorhouse (called a "bridewell") at Gouda, after learning Geertje had pawned jewelry that had once belonged to Saskia, and which Rembrandt had given her.

In the late 1640s Rembrandt began a relationship with the much younger Hendrickje Stoffels, who had initially been his maid. In 1654 they had a daughter, Cornelia, bringing Hendrickje a summons from the Reformed Church to answer the charge "that she had committed the acts of a whore with Rembrandt the painter". She admitted this and was banned from receiving communion. Rembrandt was not summoned to appear for the Church council because he was not a member of the Reformed Church. The two were considered legally wed under common law, but Rembrandt had not married Henrickje, so as not to lose access to a trust set up for Titus in his mother's will.
Rembrandt's son Titus, as a monk, 1660.Rembrandt lived beyond his means, buying art (including bidding up his own work), prints (often used in his paintings) and rarities, which probably caused a court arrangement to avoid his bankruptcy in 1656, by selling most of his paintings and large collection of antiquities. The sale list survives and gives us a good insight into his collections, which apart from Old Master paintings and drawings included busts of the Roman Emperors, suits of Japanese armor among many objects from Asia, and collections of natural history and minerals; the prices realized in the sales in 1657 and 1658 were disappointing. He also had to sell his house and his printing-press and move to more modest accommodation on the Rozengracht in 1660. The authorities and his creditors were generally accommodating to him, except for the Amsterdam painters' guild, who introduced a new rule that no one in Rembrandt's circumstances could trade as a painter. To get round this, Hendrickje and Titus set up a business as art-dealers in 1660, with Rembrandt as an employee.

In 1661 he (or rather the new business) was contracted to complete work for the newly built city hall, but only after Govert Flinck, the artist previously commissioned, died without beginning to paint. The resulting work, The Conspiracy of Claudius Civilis, was rejected and returned to the painter; the surviving fragment is only a fraction of the whole work. It was around this time that Rembrandt took on his last apprentice, Aert de Gelder. In 1662 he was still fulfilling major commissions for portraits and other works. When Cosimo III de' Medici, Grand Duke of Tuscany visited Amsterdam in 1667, he visited Rembrandt at his house.

Rembrandt outlived both Hendrickje, who died in 1663, and Titus, who died in 1668, leaving a baby daughter. Rembrandt died within a year of his son, on October 4, 1669 in Amsterdam, and was buried in an unmarked grave in the Westerkerk.

[Biography - Rembrandt Van Rijn - 9Ko]
Rembrandt Harmenszoon van Rijn, habituellement désigné sous son seul prénom de Rembrandt (15 juillet 1606 - 4 octobre 1669) est généralement considéré comme l'un des plus grands peintres de l'histoire de l'art baroque européen, et l'un des plus importants peintres de l'école hollandaise du XVIIe siècle. Rembrandt a également réalisé des gravures et...
[Biography - Rembrandt Van Rijn - 8Ko]
Rembrandt van Rijn Harmenszoon (15. Juli 1606 - 4. Oktober 1669) war ein niederländischer Maler und Radierer. Er gilt allgemein als einer der größten Maler und Grafiker in der europäischen Kunstgeschichte und der wichtigsten in der niederländischen Geschichte. Seine Beiträge zur Kunst kam in einer Periode, die Historiker Goldenen Zeitalters der Nie...
[Biography - Rembrandt van Rijn - 10Ko]
Rembrandt Harmenszoon van Rijn (15 luglio 1606 - 4 ottobre 1669) è stato un pittore e incisore olandese. Egli è generalmente considerato uno dei più grandi pittori della storia dell'arte europea e il più importante nella storia olandese. I suoi contributi all'arte è venuto in un periodo che gli storici chiamano l'età d'oro olandese. Dopo aver raggi...
[Biography - Rembrandt van Rijn - 10Ko]
Rembrandt Harmenszoon van Rijn (15 julio 1606 a 4 octubre 1669) fue un pintor y grabador holandés. él es generalmente considerado como uno de los más grandes pintores y grabadores de la historia del arte europeo y el más importante de la historia holandesa. Sus contribuciones al arte se produjo en un período que los historiadores llaman la Edad de ...
[Biography - Rembrandt van Rijn - 11Ko]
Рембрандт Харменс ван Рейн (15 июля 1606 - 4 октября 1669), голландский живописец и гравер. Он считается одним из величайших художников и печатников в истории европейского искусства и самым важным в истории Нидерландов. Его вклад в искусство пришел в период, который историки называют голландского Золотого Века. Добившись успеха молодой качестве худ...
[Biography - Rembrandt van Rijn - 9Ko]
,伦勃朗Harmenszoon车Rijn(1606年7月15日 - 1669年10月4日)是荷兰画家和蚀刻。他被普遍认为是在欧洲艺术史上最伟大的画家和版画家,在荷兰历史上最重要的之一。他对艺术的贡献是在一段时间内,历史学家称为荷兰黄金时代。 因此,作为肖像画家的青春成功,晚年的个人悲剧和财政困难。然而,他的版画和绘画是整个生前的流行,他作为​​一个艺术家的声誉仍然很高,二十年来,他教的几乎每一个重要的荷兰画家。伦勃朗的伟大的创造性的胜利,尤其体现在他的同时代人,自画像,并从圣经中的场景的插图,他的肖像画。他的自画像形成了一个独特的和亲密的传记,艺术家在调查自己没有虚荣心,以最大的诚意。 在两个绘画和版画,他表现出1经典肖像,其中他塑造适合自己的经验要求完整的知识 因此,圣经场景的描绘,伦勃朗...
[Biography - Rembrandt van Rijn - 4Ko]
Rembrandt Harmenszoon van Rijn (15 de julho de 1606 - 04 de outubro de 1669) foi um pintor holandês e etcher. Ele é geralmente considerado um dos maiores pintores e printmakers em história da arte européia e os mais importantes da história holandesa. Suas contribuições à arte veio em um período que os historiadores chamam de Idade de Ouro Holandesa...
[Biography - Rembrandt van Rijn - 10Ko]
Rembrandt Harmenszoon van Rijn (Leida, 15 de julho de 1606 — Amsterdam, 4 de outubro de 1669) foi um pintor e gravador neerlandês. É geralmente considerado um dos maiores nomes da história da arte européia e o mais importante da história neerlandesa. É considerado, por alguns, como o maior pintor de todos os tempos. Suas contribuições à arte surgir...
[Biography - Rembrandt Van Rijn - 15Ko]
レンブラントHarmenszoon· ファン· レイン(1606年7月15日 - 1669年10月4日)はオランダの画家、エッチングした。彼は一般的にヨーロッパの美術史で最も偉大な画家や版画家の一人と、オランダの歴史の中で最も重要なされています。芸術への彼の貢献は、歴史家がオランダの黄金時代を呼び出すことを期になりました。 肖像画家としての若々しい成功を収めたので、晩年は、個人的な悲劇と経済的困難でマークされた。まだ彼のエッチングや絵画は、彼の生涯を通じて人気があった、アーティストとしての彼の評判は高く推移し、20年間にわたり、彼はほぼすべての重要なオランダの画家を教えてくれました。レンブラントの偉大な創造的な勝利は、特に同時代の彼の肖像画、聖書からの場面の自画像やイ...
[Biography - Rembrandt van Rijn - 5Ko]

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WahooArt.com - Rembrandt Van Rijn
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PrintsOnCanvas [{A-8YDJKC}]-Dim(11 x 9 inches (28 x 23 cm))-FRAME(MirrorWrap)-Shipping(Slow)-GlossyTextured-DC(HMVTHR)-Rembrandt Van Rijn-Night Watch
The Night Watch or The Shooting Company of Frans Banning Cocq (Dutch: De Nachtwacht) is the common name of one of the most famous works by Dutch painter Rembrandt van Rijn. The painting may be more properly titled The Company of captain Frans Banning Cocq and lieutenant Willem van Ruytenburch preparing to march out. It is prominently displayed in the Rijksmuseum, Amsterdam, the Netherlands, as the best known painting in its collection. The Night Watch is one of the most famous paintings in the world. The painting is renowned for three characteristics: its colossal size (363 cm × 437 cm (11.91 ft × 14.34 ft)), the effective use of light and shadow (chiaroscuro), and the perception of motion in what would have traditionally been a static military portrait. The painting was completed in 1642, at the peak of the Dutch Golden Age. It depicts the eponymous company moving out, led by Captain Frans Banning Cocq (dressed in black, with a red sash) and his lieutenant, Willem van Ruytenburch (dressed in yellow, with a white sash). With effective use of sunlight and shade, Rembrandt leads the eye to the three most important characters among the crowd, the two gentlemen in the centre (from whom the painting gets its original title), and the small girl in the centre left background. Behind them, the company's colours are carried by the ensign, Jan Visscher Cornelissen. Rembrandt has displayed the traditional emblem of the Arquebusiers in the painting in a natural way: the girl in yellow dress in the background is carrying the main symbols. She is a kind-of mascot herself: the claws of a dead chicken on her belt represent the clauweniers (arquebusiers); the pistol behind the chicken stands for 'clover'; and, she is holding the militia's goblet. The man in front of her is wearing a helmet with an oak leaf, a traditional motif of the Arquebusiers. The dead chicken is also meant to represent a defeated adversary. The colour yellow is often associated with victory.
Rembrandt Van Rijn
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