Paintings Reproductions The Meeting at Lyons by Peter Paul Rubens (1577-1640, Germany) | WahooArt.com

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Artworks , Artworks

Peter Paul Rubens - Oil
One of the Marie de' Medici cycle's painting
This painting allegorically depicts the first meeting of Marie and Henry, which took place after their nuptials by proxy. The upper half of the painting shows Marie and Henry as the mythological Roman gods Juno and Jupiter. The representations are accompanied by their traditional attributes. Marie is shown as Juno (Greek Hera) identified by the peacocks and chariot. Henry is shown as Jupiter (Greek Zeus) identified by the fiery thunderbolts in his hand and the eagle. The joining of the couple's right hands is a traditional symbol of the marriage union. They are dressed in the classical style, which is naturally appropriate to the scene. Above the two stands Hymen who unites them. A rainbow extends from the left corner, a symbol of concord and peace. The lower half of the painting is dominated by imagery of Lyons. Reading from left to right, we see the cityscape with its single hill. The lions pull the chariot (which is a pun on the name of the city), and in the chariot we see the allegorical figure of the city herself with a crown of her battlements: Lyons. Rubens needed to be very careful in the representation of the couple's first meeting because allegedly Henry was very much involved with a mistress at the time of the marriage. In fact, due to the king's other engagements their introduction was delayed, and it was not until midnight nearly a week after Marie arrived that Henry finally joined his bride. By presenting him as Jupiter Rubens implies the promiscuity of the man and the deity. Simultaneously by placing King and Queen together he effectively illustrates the elevated status of the couple.