Paintings Reproductions Allegory (The Knight`s Dream) by Raphael - Raffaello Sanzio (1483-1520, Italy) | WahooArt.com

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Artworks , Artworks
 Paintings Reproductions Allegory (The Knight`s Dream) by Raphael - Raffaello Sanzio (1483-1520, Italy) | WahooArt.com
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Raphael - Raffaello Sanzio - Oil

Allegory (The Knight's Dream) or The Dream of Scipio or Allegory is a small egg tempera painting on poplar by the Italian Renaissance artist Raphael, finished in 1504. It is in the National Gallery in London. It probably formed a pair with the Three Graces panel, also 17 cm square, now in the Château de Chantilly museum. There are a number of theories as to what the panel is intended to represent. Some art historians think the sleeping knight represents the Roman general Scipio Africanus (236 - 184 BC) who dreamed that he had to choose between Virtue (behind whom is a steep and rocky path) and Pleasure (in looser robes). However, the two feminine figures are not presented as contestants. They may represent the ideal attributes of the knight: the book, sword and flower which they hold suggest the ideals of scholar, soldier and lover which a knight should combine. The panel was brought to England by William Young Ottley in 1800.





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Paintings Reproductions Allegory (The Knight`s Dream) by Raphael - Raffaello Sanzio (1483-1520, Italy) | WahooArt.com
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Allegory (The Knight's Dream) or The Dream of Scipio or Allegory is a small egg tempera painting on poplar by the Italian Renaissance artist Raphael, finished in 1504. It is in the National Gallery in London. It probably formed a pair with the Three Graces panel, also 17 cm square, now in the Château de Chantilly museum. There are a number of theories as to what the panel is intended to represent. Some art historians think the sleeping knight represents the Roman general Scipio Africanus (236 - 184 BC) who dreamed that he had to choose between Virtue (behind whom is a steep and rocky path) and Pleasure (in looser robes). However, the two feminine figures are not presented as contestants. They may represent the ideal attributes of the knight: the book, sword and flower which they hold suggest the ideals of scholar, soldier and lover which a knight should combine. The panel was brought to England by William Young Ottley in 1800.
Raphael - Raffaello Sanzio
Oil
Oil