Art Reproductions The Martyrdom of St Agatha by Giovanni Battista Tiepolo (1696-1770, Italy) | WahooArt.com

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Artworks , Artworks
 Art Reproductions The Martyrdom of St Agatha by Giovanni Battista Tiepolo (1696-1770, Italy) | WahooArt.com
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Giovanni Battista Tiepolo - Oil

This picture was painted c. 1756 for the high altar of the church of S. Agata in Lendinara. It must originally have been rounded at the top, for it appears in this form in an etching by Tiepolo's son, Giovanni Domenico. The part which is now missing showed a heart surrounded by the crown of thorns in a nimbus, at which the saint was gazing. The beautiful Agatha was a devout Christian who lived in Catania. She steadfastly refused to make sacrifice to the heathen gods. When she defied the threats of the Roman Governor of Sicily, Quintianus, he ordered her breasts to be cut off. We see her, half-naked, on a flight of steps
a maid kneels behind her, supporting her and holding her dress against the bleeding wounds. A page stands in front of a marble pillar, holding the severed breasts of the martyr on a silver platter and gazing down at her. The uncouth figure of the executioner, clad in red and holding a blood-stained sword, towers menacingly over the group.





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Art Reproductions The Martyrdom of St Agatha by Giovanni Battista Tiepolo (1696-1770, Italy) | WahooArt.com
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This picture was painted c. 1756 for the high altar of the church of S. Agata in Lendinara. It must originally have been rounded at the top, for it appears in this form in an etching by Tiepolo's son, Giovanni Domenico. The part which is now missing showed a heart surrounded by the crown of thorns in a nimbus, at which the saint was gazing. The beautiful Agatha was a devout Christian who lived in Catania. She steadfastly refused to make sacrifice to the heathen gods. When she defied the threats of the Roman Governor of Sicily, Quintianus, he ordered her breasts to be cut off. We see her, half-naked, on a flight of steps; a maid kneels behind her, supporting her and holding her dress against the bleeding wounds. A page stands in front of a marble pillar, holding the severed breasts of the martyr on a silver platter and gazing down at her. The uncouth figure of the executioner, clad in red and holding a blood-stained sword, towers menacingly over the group.
Giovanni Battista Tiepolo
Oil
Oil