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WahooArt use the latest printing technology to produce archival-quality textured cotton canvas prints that will give pleasure on your wall for a long time to come. Textured print gives to your painting reproduction a brushstroke/texture effect, which gives incredible look of a real oil canvas masterpiece.
WahooArt.com use only the most modern and efficient printing technology on our 100% cotton canvas 400Gsm, based on the Giclee printing procedure. This innovative high-resolution printing technique results in durable and spectacular looking prints of the highest quality. WahooArt.com only uses the highest quality inks, with extreme UV resistance. Your artwork will hold its beautiful colors for up to 75 years!
Textured print perfectly suits for Fine Art reproductions! WahooArt Team suggest to orderacrylic print for colorful,familly and modernphotos.
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More information on this artwork on this websites
Pablo Picasso - The Young Ladies of Avignon
www.studyblue.com/notes/note/n/aaah-204-study-guid... Study 699 AAAH 204 Study Guide (2012-13 Bushey) flashcards from StudyBlue o...
www.studyblue.com/notes/note/n/arth-111-study-guid... Study 144 ARTH 111 Study Guide (2011-12 Stapleford) flashcards from StudyBl...
www.studyblue.com/notes/note/n/art-lecture-test-4/... Study 135 Art Lecture Test 4 flashcards from Kaitlyn Bryant B. on StudyBlue...
Pablo Picasso - The Young Ladies of Avignon
Pablo Picasso - The Young Ladies of Avignon
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WahooArt.com (Pablo Picasso)
Arts & Entertainment > Hobbies & Creative Arts > Artwork
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WahooArt.com-A-5ZKH5G-PrintsOnCanvas-20x20.7inches-P118B-EN-USD
PrintsOnCanvas [{A-5ZKH5G}]-Dim(20 x 20.7 inches (50.8 x 52.6 cm))-DC(BGYKD05)-Shipping(Slow)-NAMEPLATE-GlossyTextured-FRAME(P118B)-Pablo Picasso-The Young Ladies of Avign...
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Les Demoiselles d'Avignon (The Young Ladies of Avignon, and originally titled The Brothel of Avignon) is a large oil painting created in 1907 by the Spanish artist Pablo Picasso (1881–1973). The work portrays five nude female prostitutesfrom a brothel on Carrer d'Avinyó (Avinyó Street) in Barcelona. Each figure is depicted in a disconcerting confrontational manner and none are conventionally feminine. The women appear as slightly menacing and rendered with angular and disjointed body shapes. Two are shown with African mask-like faces and three more with faces in the Iberian style of Picasso's native Spain, giving them a savage aura. In this adaptation of Primitivism and abandonment of perspective in favor of a flat, two-dimensional picture plane, Picasso makes a radical departure from traditional European painting. The work is widely considered to be seminal in the early development of both cubism and modern art. Demoiselles was revolutionary and controversial, and led to wide anger and disagreement, even amongst his closest associates and friends.[/br]
Painted in Paris during the summer of 1907, Picasso had created hundreds of sketches and studies in preparation for the final work. He long acknowledged the importance of Spanish art and Iberian sculpture as influences on the painting. The work is believed by critics to be influenced by African tribal masks and the art of Oceania, although Picasso denied the connection; many art historians remain skeptical about his denials. Several experts maintain that, at the very least, Picasso visited the Musée d'Ethnographie du Trocadéro (known today as Musée de l'Homme) in the spring of 1907 where he saw and was unconsciously influenced by African and Tribal art several months before completing Demoiselles. Some critics argue that the painting was a reaction to Henri Matisse's Le bonheur de vivre and Blue Nude. [/br]
Its resemblance to Cézanne's Les Grandes Baigneuses, Paul Gauguin's statue Oviri and El Greco's Opening of the Fifth Seal has been widely discussed by later critics. At the time of its first exhibition in 1916, the painting was deemed immoral. In the nine years after its creation, Picasso had always referred to it as Le Bordel d'Avignon, but art critic André Salmon, who managed its first exposition, retitled it Les Demoiselles d'Avignon to lessen its scandalous impact on the public. Picasso never liked Salmon's title, and as an edulcoration would have preferred las chicas de Avignon instead.
Pablo Picasso
Pablo Picasso
Oil On Canvas
Oil On Canvas