Get Art Reproductions In the Slaughter House, 1893 by Lovis Corinth (Franz Heinrich Louis) (1858-1925, Netherlands) | WahooArt.com

    + 33 606 606 707  
English
Français
Deutsch
Italiano
Español
中国
Português
日本
Zoom inZoom inZoom inZoom in
Zoom outZoom outZoom outZoom out
Go homeGo homeGo homeGo home
Toggle full pageToggle full pageToggle full pageToggle full page
Unable to open [object Object]: Error loading image at /Art.nsf/O/8LJA7D/$File/Lovis-Corinth-In-the-Slaughter-House.JPG
"In the Slaughter House"

Lovis Corinth (Franz Heinrich Louis) (i) - Oil On Canvas (i) - 78 x 89 cm - 1893 - (Staatsgalerie Stuttgart (Germany)) (i)

Lovis Corinth, a renowned German artist and writer, is celebrated for his synthesis of impressionism and expressionism. His painting, In the Slaughter House, created in 1893, is a powerful representation of life within a slaughterhouse. This oil on canvas masterpiece measures 78 x 89 cm and is currently housed at the Staatsgalerie Stuttgart in Germany.

The Scene Unfolds

The painting depicts a group of people, likely butchers or workers, engaged in their tasks amidst a chaotic environment. The room is filled with various objects such as chairs, dining tables, and bottles scattered throughout the space. A chair can be seen on the left side of the painting, a dining table in the middle, and another one towards the right side. Several bottles are placed around the room, some near the people and others further away.

Atmosphere and Symbolism

The overall atmosphere of the painting is intense and chaotic, with blood covering the floor and the workers seemingly engaged in their tasks. The combination of the people, objects, and the bloody environment creates a powerful visual representation of life in a slaughterhouse. This artwork not only showcases Corinth's skill in capturing the essence of everyday labor but also highlights his ability to provoke emotions through art.

Artistic Context

Lovis Corinth was influenced by his childhood experiences growing up in a family of tanners and butchers. His friend and business partner of his father was a butcher, which likely inspired the material for this painting. The artwork is part of a series titled "On the Slaughter" created in the early 1890s, which aimed to provoke and challenge the viewer's perceptions.

Reception and Legacy

The painting was initially met with controversy due to its graphic nature. Critics debated whether it was unbearably beautiful or disgustingly realistic. Despite this, "In the Slaughter House" has become a significant piece in Corinth's oeuvre, showcasing his unique blend of naturalism and expressionism.

Conclusion

Lovis Corinth's In the Slaughter House is a captivating artwork that delves into the intense world of a slaughterhouse. Its powerful depiction of everyday labor and its ability to evoke strong emotions make it a notable piece in the history of art. For those interested in exploring more of Corinth's works, visit Lovis Corinth (Franz Heinrich Louis): In the Slaughter House on WahooArt. Additionally, you can find more information about the artist and his other works at Lovis Corinth.

 



Early Life and Education

Lovis Corinth, born Franz Heinrich Louis on July 21, 1858, in Tapiau, Prussia, was a German artist and writer whose mature work as a painter and printmaker realized a synthesis of impressionism and expressionism. Corinth's early life was marked by his talent for drawing, which led him to study painting at the academy of Königsberg in 1876.

Artistic Development

Corinth's artistic development was influenced by several key figures and movements:
  • Lovis Corinth's early work was naturalistic in approach, encouraged by his instructor Otto Günther.
  • He studied under Ludwig von Löfftz at the Academy of Fine Arts Munich, which emphasized careful observation of colors and values.
  • Corinth was also influenced by Courbet and the Barbizon school, as well as the works of Rubens during his time in Antwerp.

Notable Works and Style

Some of Corinth's notable works include:
  • In the Slaughter House (78 x 89 cm, Staatsgalerie Stuttgart, Germany), showcasing his use of oil on canvas.
  • Self-Portrait (47 x 53 cm, Kunsthalle Bremen, Germany), demonstrating his skill in drawing.
  • Female Semi-Nude with Hat (283 x 383 cm, Kunstpalast, Düsseldorf, Germany), highlighting his use of pencil.

Legacy and Later Life

Corinth's later life was marked by his presidency of the Berlin Secession from 1915-1925. He also published numerous essays on art history, including "Das Erlenen der Malerei" ("On Learning to Paint") in 1908. Corinth passed away on July 17, 1925, after a stroke in 1911 had partially paralyzed him. Key Links: * View Lovis Corinth's Artist Page on WahooArt * Read more about Lovis Corinth on Wikipedia * View "In the Slaughter House" by Lovis Corinth on WahooArt

 

-