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''Kochel - Cascade II''
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"Kochel - Cascade II"
Vassily Kandinsky – Peinture à l'huile sur carton - 32,5 cm x 23,5 cm, 1902 - Galerie municipale de la Lenbachhaus
Pionnier de l'art abstrait et éminent théoricien de l'esthétique, Wassily Kandinsky (né en 1866, Moscou ; décédé en 1944, Neuilly-sur-Seine, France) a innové en peinture dans les premières décennies du XXe siècle. Son traité fondateur Sur le spirituel dans l'art, publié à Munich en 1911, expose son programme pour développer un art indépendant de ses observations du monde extérieur. Kandinsky s'est efforcé d'utiliser l'abstraction pour donner à la peinture la liberté de la nature qu'il admirait en musique. Sa découverte d'un nouveau sujet non objectif l'a occupé toute sa vie. Néanmoins, la carrière artistique de Kandinsky avait été lancée trois décennies avant de développer cette théorie révolutionnaire. Ses premières œuvres correspondent au mouvement de l'expressionnisme et ont été principalement produites à Munich après avoir formé des associations avec les principaux groupes d'avant-garde de la ville tels que Der Blaue Reiter, en 1896.
Composé de traits de peinture à l'huile vert, bleu, blanc et terreux, appliqués en couche épaisse avec un couteau à palette directement sur le sol. « Kochel – Waterfall II » est un exemple important des premiers paysages de Wassily Kandinsky. Kandinsky a été grandement inspiré par le terrain dramatique entourant Kochel, une ville bavaroise au sud de Munich située près d'un grand lac au pied des Alpes, et a souvent peint la nature de la région. Il a représenté cette deuxième version de la cascade de Lainbach à l'été 1902, alors qu'il emmenait sa classe d'élèves à Kochel en sa qualité de professeur à l'école Phalanx. Comme dans les autres études à l'huile qu'il a produites en ce moment, son utilisation de couleurs fortes fonctionnerait pour suggérer une forme et une forme pures, planant près de la frontière de l'abstraction. Selon les mots de l'artiste : « Dans mes études, je me suis laissé aller. Je pensais peu aux maisons et aux arbres, dessinant des lignes colorées et des taches sur la toile avec mon couteau à palette, les faisant chanter aussi fort que je savais comment. Il se rappellera plus tard comment ses paysages sonores se développeraient à partir de ces exercices.
L'été 1902 revêt une signification particulière pour Kandinsky. C'est lors de ce séjour à Kochel que sa relation avec l'une de ses élèves, Gabriele Münter, s'approfondit. Seulement un an plus tard, en 1903, le couple s'est fiancé, bien que cela ait été gardé secret car Kandinsky était encore marié à l'époque. Ces émotions fortes ont pu imprégner son travail.
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