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St John The Baptist, 1610 by Caravaggio - Michelangelo Merisi (1571-1610, Italy) | WahooArt.com

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St John The Baptist - 1610 By Caravaggio - Michelangelo Merisi , St John The Baptist - 1610 By Caravaggio - Michelangelo Merisi
  St John The Baptist, 1610 by Caravaggio - Michelangelo Merisi (1571-1610, Italy) | WahooArt.com
St John The Baptist - 1610 By Caravaggio - Michelangelo Merisi , St John The Baptist - 1610 By Caravaggio - Michelangelo Merisi

Caravaggio - Michelangelo Merisi - Oil

John the Baptist (sometimes called John in the Wilderness) was the subject of at least eight paintings by the Italian Baroque artist Michelangelo Merisi da Caravaggio (1571–1610). The date of the John the Baptist in the Galleria Borghese is disputed: it was long thought to have been acquired by Cardinal Scipione Borghese some time between his own arrival in Rome in 1605 and Caravaggio's flight from the city in 1606, but Roberto Longhi dated it to the artist's Sicilian period (a date post-1608) on the basis of similarities in handling and colour. Lonhi's view has gained increasing acceptance, with a consensus in favour of 1610 emerging in recent years. The painting shows a boy slumped against a dark background, where a sheep nibbles at a dull brown vine. The boy is immersed in a reverie: perhaps as Saint John he is lost in private melancholy, contemplating the coming sacrifice of Christ
or perhaps as a real-life street-kid called on to model for hours he is merely bored. As so often with Caravaggio, the sense is of both at once. But the overwhelming feeling is of sorrow. The red cloak envelopes his puny childish body like a flame in the dark, the sole touch of colour apart from the pale flesh of the juvenile saint. "Compared with the earlier Capitolina and Kansas City versions...the Borghese picture is more richly colouristic - an expressive essay in reds, whites, and golden browns.





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St John The Baptist, 1610 by Caravaggio - Michelangelo Merisi (1571-1610, Italy) | WahooArt.com
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John the Baptist (sometimes called John in the Wilderness) was the subject of at least eight paintings by the Italian Baroque artist Michelangelo Merisi da Caravaggio (1571–1610). The date of the John the Baptist in the Galleria Borghese is disputed: it was long thought to have been acquired by Cardinal Scipione Borghese some time between his own arrival in Rome in 1605 and Caravaggio's flight from the city in 1606, but Roberto Longhi dated it to the artist's Sicilian period (a date post-1608) on the basis of similarities in handling and colour. Lonhi's view has gained increasing acceptance, with a consensus in favour of 1610 emerging in recent years. The painting shows a boy slumped against a dark background, where a sheep nibbles at a dull brown vine. The boy is immersed in a reverie: perhaps as Saint John he is lost in private melancholy, contemplating the coming sacrifice of Christ; or perhaps as a real-life street-kid called on to model for hours he is merely bored. As so often with Caravaggio, the sense is of both at once. But the overwhelming feeling is of sorrow. The red cloak envelopes his puny childish body like a flame in the dark, the sole touch of colour apart from the pale flesh of the juvenile saint. "Compared with the earlier Capitolina and Kansas City versions...the Borghese picture is more richly colouristic - an expressive essay in reds, whites, and golden browns.
Caravaggio - Michelangelo Merisi
Oil
Oil