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The Course of Empire, The Arcadian or Pastoral State by Thomas Cole (1801-1848, England) | Museum Quality Reproductions | WahooArt.com

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Famous Paintings Reproductions The Course Of Empire - The Arcadian Or Pastoral State By Thomas Cole , Artworks
The Course of Empire, The Arcadian or Pastoral State by Thomas Cole (1801-1848, England) | Museum Quality Reproductions | WahooArt.com
Famous Paintings Reproductions The Course Of Empire - The Arcadian Or Pastoral State By Thomas Cole , Artworks

Thomas Cole - Oil

The Course of Empire is a five-part series of paintings created by Thomas Cole in the years 1833-36. It is notable in part for reflecting popular American sentiments of the times, when many saw pastoralism as the ideal phase of human civilization, fearing that empire would lead to gluttony and inevitable decay. In the second painting, The Arcadian or Pastoral State, the sky has cleared and we are in the fresh morning of a day in spring or early summer. The viewpoint has shifted further down the river, as the crag with the boulder is now on the left-hand side of the painting
a forked peak can be seen in the distance beyond it. Much of the wilderness has given way to settled lands, with plowed fields and lawns visible. Various activities go on in the background: plowing, boat-building, herding sheep, dancing
in the foreground, an old man sketches what may be a geometrical problem with a stick. On a bluff on the near side of the river, a megalithic temple has been built, and smoke (presumably from sacrifices) arises from it. The images reflect an idealized, pre-urban ancient Greece.





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The Course of Empire, The Arcadian or Pastoral State by Thomas Cole (1801-1848, England) | Museum Quality Reproductions | WahooArt.com
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The Course of Empire is a five-part series of paintings created by Thomas Cole in the years 1833-36. It is notable in part for reflecting popular American sentiments of the times, when many saw pastoralism as the ideal phase of human civilization, fearing that empire would lead to gluttony and inevitable decay. In the second painting, The Arcadian or Pastoral State, the sky has cleared and we are in the fresh morning of a day in spring or early summer. The viewpoint has shifted further down the river, as the crag with the boulder is now on the left-hand side of the painting; a forked peak can be seen in the distance beyond it. Much of the wilderness has given way to settled lands, with plowed fields and lawns visible. Various activities go on in the background: plowing, boat-building, herding sheep, dancing; in the foreground, an old man sketches what may be a geometrical problem with a stick. On a bluff on the near side of the river, a megalithic temple has been built, and smoke (presumably from sacrifices) arises from it. The images reflect an idealized, pre-urban ancient Greece.
Thomas Cole
Oil
Oil