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The 18 Artworks of Tiziano Vecellio Titian and exhibited in Galleria Degli Uffizi Florence, Italy

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Tiziano Vecellio (Titian) - FloraFloraTiziano Vecellio (Titian)

'In the second half of the 16th century Titian was continually overburdened with commissions for work - from Charles V and Philip II, from the Republic and from many churches. Overcoming the crisis of Mannerism shortly before his stay in Rome at the Papal court (1545/6), Titian's work now took on a ...

Galleria degli Uffizi (Florence, Italy)
2/18
Tiziano Vecellio (Titian) - A Knight of MaltaA Knight of MaltaTiziano Vecellio (Titian)

'In 1561 Titian executed a painting of Mary Magdalen for Philip II, king of Spain. It is lost but several other compositions, based on this painting, survived; probably the best version is that in the Hermitage. This painting is signed on the rock on the left side. In his final period Titian handled...

Galleria degli Uffizi (Florence, Italy)
3/18
Tiziano Vecellio (Titian) - Venus of Urbino (detail)Venus of Urbino (detail)Tiziano Vecellio (Titian)

Tosini, who entered in the workshop of Ridolfo Ghirlandaio, frequently collaborated with Ridolfo. The continuing practice of Ridolfo and his workshop, with their familiar, legible, definitive style of unmistakable force and charm, in many later altarpieces produced after 1550, like The Martyrdom of ...

Galleria degli Uffizi (Florence, Italy)
4/18
Tiziano Vecellio (Titian) - Flora (detail)Flora (detail)Tiziano Vecellio (Titian)

Francesco Maria della Rovere (1490-1538) succeeded his uncle Guidobaldo da Montefeltre as ruler of Urbino. Though at first protected by his uncle Pope Julius II (Giuliano della Rovere), he lost power under the Medici Pope Leo X, but was able to regain his territories after his death. He was one of I...

Galleria degli Uffizi (Florence, Italy)
5/18
Tiziano Vecellio (Titian) - Study for the Duke of UrbinoStudy for the Duke of UrbinoTiziano Vecellio (Titian)

'Aside from citations in various inventories, the complicated history of this picture is also traceable through a letter written by F Mueller, the correspondent in Italy for the court of Bavaria. According to Mueller, the work was originally painted for the Holy Roman Emperor Charles V, who intended...

Galleria degli Uffizi (Florence, Italy)
6/18
Tiziano Vecellio (Titian) - The Venus of UrbinoThe Venus of UrbinoTiziano Vecellio (Titian)

'There was a major mosaic flowering in Rome during the pontificate of Pope Nicholas IV (1288-1292). This renewal was indebted to the mosaic commissions by popes of the early thirteenth century. Nicholas IV first had the Early Christian apse mosaic at the Lateran completely redone between 1288 and 12...

Galleria degli Uffizi (Florence, Italy)
7/18
Tiziano Vecellio (Titian) - The Sick ManThe Sick ManTiziano Vecellio (Titian)

The central panel (195 x 172 cm) represents the Crucifix with Mary and St John in a Gothic church decorated with scenes of the Passion. The setting is probably the main portal of the church of St Gudule in Brussels.The left wing (195 x 72 cm) represents the Last Judgment, with the seven acts of merc...

Galleria degli Uffizi (Florence, Italy)
8/18
Tiziano Vecellio (Titian) - Angel of the AnnunciationAngel of the AnnunciationTiziano Vecellio (Titian)

The painting is an 'Allegory of the Battle of Lepanto'. On 7 October 1571 the combined allied fleets of Spain, the papacy and Venice, under the supreme command of Don John of Austria, met and defeated the Ottoman fleet in Greek waters at Lepanto (now Nafpaktos) in the Corinthian Gulf. It was an extr...

Galleria degli Uffizi (Florence, Italy)
10/18
Tiziano Vecellio (Titian) - Eleonora GonzagaEleonora GonzagaTiziano Vecellio (Titian)

'The Latin title (literally 'Do not touch me') refers to Christ's first miraculous apparition after his death, when he reveals himself to Mary Magdalene. Finding the tomb empty, she mistakes him for a gardener, and implores him to tell her where he has moved Christ's body. As he calls out her name s...

Galleria degli Uffizi (Florence, Italy)