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The 11 Artworks of Tiziano Vecellio Titian and exhibited in Galleria Palatina Italy

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Tiziano Vecellio (Titian) - The Young EnglishmanThe Young EnglishmanTiziano Vecellio (Titian)

According to tradition, Pope Liberius (pope from 352 to 366) and a patrician had the same dream at the same night. The Virgin appeared and expressed her wish to raise a church at the site which she will mark by snow at the middle of the summer. Next day the Esquiline hill was covered by snow and it ...

Galleria Palatina (Italy)
2/11
Tiziano Vecellio (Titian) - La BellaLa BellaTiziano Vecellio (Titian)

The Baptistry in Florence, dedicated to St John the Baptist, the patron saint of the city, is generally considered to be a Romanesque building dating back to the eleventh century. However, recently it was hypothesized that this construction was erected in the fifth century to commemorate the unexpec...

Galleria Palatina (Italy)
3/11
Tiziano Vecellio (Titian) - The ConcertThe ConcertTiziano Vecellio (Titian)

'The great Venetian master created several paintings depicting the nude Venus in the company of male musicians. Each of these works has multiple allegorical meanings. In this picture the connection between music and love can be sensed even more directly than in earlier astrological illustrations. Pa...

Galleria Palatina (Italy)
4/11
Tiziano Vecellio (Titian) - Portrait of Pietro AretinoPortrait of Pietro AretinoTiziano Vecellio (Titian)

'Cardinal Leopoldo bought this picture in 1654 as a Giorgione and for centuries it has been assigned to him. It was at the end of the nineteenth century that Morelli proposed the attribution to Titian, which, in spite of a recent return to giving it to Giorgione, is generally accepted as the more pe...

Galleria Palatina (Italy)
5/11
Tiziano Vecellio (Titian) - Portrait of Tomaso or Vincenzo MostiPortrait of Tomaso or Vincenzo MostiTiziano Vecellio (Titian)

'Steen was a storyteller with a passion for drawing moral conclusions in his numerous pictures based on the Scripture, old proverbs, aphorisms, and emblems. Much of Steen's moralizing is based upon familiar platitudes. 'Easy come, easy go' was a favourite. He frequently includes an inscription in hi...

Galleria Palatina (Italy)
6/11
Tiziano Vecellio (Titian) - Portrait of Philip IIPortrait of Philip IITiziano Vecellio (Titian)

Even more than in his Presentation of the Virgin at the Temple, Titian's attempt to fill out his chromatic language with Mannerist elements is clearly evident in this work painted for the now demolished church of Santa Maria Maggiore. The overpowering plasticity of the figure, its theatrical pose, a...

Galleria Palatina (Italy)
7/11
Tiziano Vecellio (Titian) - Portrait of Andreas VesaliusPortrait of Andreas VesaliusTiziano Vecellio (Titian)

The painting was attributed for long time to various artists, among them to Fra Angelico. Sometimes it is listed as an early work by Fra Angelico. Finally, it was recognised as a work by Gherardo Starnina. The content of the Thebaid shows that it was executed on the commission of one of the Mendican...

Galleria Palatina (Italy)
8/11
Tiziano Vecellio (Titian) - Portrait of a ManPortrait of a ManTiziano Vecellio (Titian)

In the final period, which saw Titian focussing his attention on religious themes, he still found the energy to paint portraits. Between 1567 and 1568 he produced two of his greatest masterpieces in this field: the Prado Self-Portrait and the Portrait of Jacopo Strada in Vienna.In the new Self-Portr...

Galleria Palatina (Italy)
9/11
Tiziano Vecellio (Titian) - Portrait of Ippolito dei MediciPortrait of Ippolito dei MediciTiziano Vecellio (Titian)

The painting's first owners were the Maffei family from Verona, where Titian painted an altarpiece for the Cathedral, and its sonorous gravity and the way the colours traverse the spectrum like a progression of organ chords may take its tone from nearby Brescia, especially the art of Moretto. Indeed...

Galleria Palatina (Italy)
10/11
Tiziano Vecellio (Titian) - Christ the RedeemerChrist the RedeemerTiziano Vecellio (Titian)

'Like so many of Titian's other works, it is likely that this portrait is an idealized portrait of female beauty, and not a precise depiction of any one person. This is corroborated by the Duke of Urbino, who, in a letter he wrote on May 2nd 1536, simply described it as the ''lady in the blue dress'...

Galleria Palatina (Italy)