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The 1000++ Artworks of media Oil On Canvas and containing the word camille pissarro, oil on canvas, impressionism, colour, village, winter, 1875

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TOP2781/1000
Camille Pissarro - Red Roofs, Corner of a Village, WinterRed Roofs, Corner of a Village, WinterCamille Pissarro

Pissarro's painting entitled Red Roofs, Corner of a Village, Winter is a relatively small canvas measuring only about 55 by 88 cm. It is oil on canvas and is on display at the Musée d’Orsay in Paris. Most Impressionist artists painted in the open air. They would take their easels and canvases out i...

Musée d'Orsay (Paris, France)
TOP482/1000
Suzanne Valadon - The Blue RoomThe Blue RoomSuzanne Valadon

The Blue Room is a self-portrait of Valadon. She is displayed inclined on a bed surrounded by blue sheets with floral patterns, with two closed books to the side. Valadon herself appears slightly overweight, lounging in what appear to be pajamas with a cigarette in her mouth. Her eyes face away from...

Musée National d'Art Moderne Centre Georges Pompidou (Paris, France)
TOP3664/1000
Claude Monet - Red Boats, Argenteuil, 1875 (oil on canvas)Red Boats, Argenteuil, 1875 (oil on canvas)Claude Monet

Monet returned to France from London in 1872 and settled in Argenteuil (a town on a picturesque stretch of the Seine, eleven kilometres from central Paris), where he lived until 1876. His contemporaries Pierre-Auguste Renoir, Édouard Manet and Alfred Sisley joined him and, for a time, Argenteuil bec...

Fogg Art Museum (Cambridge, United States)
TOP705/1000
Claude Monet - Grainstack in the Morning, Snow EffectGrainstack in the Morning, Snow EffectClaude Monet

Haystacks is a title of a series of impressionist paintings by Claude Monet. The primary subjects of all of the paintings in the series are stacks of hay in the field after the harvest season. The title refers primarily to a twenty-five canvas series (Wildenstein Index Number 1266-1290) begun in the...

Museum of Fine Arts (Boston, United States)
TOP1976/1000
Vincent Van Gogh - IrisesIrisesVincent Van Gogh

Irises was painted while Vincent van Gogh was living at the asylum at Saint Paul-de-Mausole in Saint-Rémy-de-Provence, France, in the last year before his death in 1890. It was painted before his first attack at the asylum. There is a lack of the high tension which is seen in his later works. He cal...

J. Paul Getty Museum (Los Angeles, United States)
TOP2247/1000
Vincent Van Gogh - First Steps (after Millet)First Steps (after Millet)Vincent Van Gogh

In fall and winter 1889–90, while a voluntary patient at the asylum in Saint-Rémy, Van Gogh painted twenty-one copies after Millet, an artist he greatly admired. He considered his copies 'improvisations' or 'translations' akin to a musician's interpretation of a composer's work. He let the black-and...

Metropolitan Museum of Art (New York, United States)
TOP3808/1000
Vincent Van Gogh - Bowl with Peonies and RosesBowl with Peonies and RosesVincent Van Gogh

This still-life belongs to van Gogh's early efforts in Paris to brighten the palette of his paintings. The canvases he had finished in the Netherlands were too dark to be accepted as modern works of art. He chose to pursue the flower still-life as a means to work on his colour. The present still-lif...

Rijksmuseum Kröller-Müller (Otterlo, Netherlands)
TOP47310/1000
Vincent Van Gogh - Green Wheat Field with CypressGreen Wheat Field with CypressVincent Van Gogh

Writing to his brother Theo from the asylum in Saint-Rémy in early July 1889, Van Gogh described his latest work in the series he had begun in June: 'I have a canvas of cypresses with some ears of wheat, some poppies, a blue sky like a piece of Scotch plaid; the former painted with a thick impasto ....

National Gallery (Prague, Czech Republic)
TOP35811/1000
Camille Pissarro - Apple Picking at Eragny-sur-EpteApple Picking at Eragny-sur-EpteCamille Pissarro

Of the individual touches of bright pigment on the canvas in 'Apple Picking at Éragny-sur-Epte', few are completely round: the uniform-sized touches of colour are the shape of small brushes, tiny rectangular blocks which build up to form a dense mosaic on the surface of the picture; and as in Seurat...

Dallas Museum of Art (Dallas, United States)
14/1000
Camille Pissarro - The Effect of Snow at MontfoucaultThe Effect of Snow at MontfoucaultCamille Pissarro

Winterhalter began an official portrait of Empress Eugénie (Eugénie de Montijo, condesa de Teba, 1826–1920) shortly after her marriage in 1853 to Napoleon III, emperor of France, but it was not exhibited until 1855. The present work is, in contrast, relatively intimate in scale and effect. It shows ...