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The 1000++ Artworks of media Oil and containing the word georges pierre seurat, oil, post, impressionism, arts, landscape, 1875

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TOP3171/1000
Vincent Van Gogh - Olive Trees with Yellow Sky and SunOlive Trees with Yellow Sky and SunVincent Van Gogh

Vincent van Gogh painted at least 18 paintings of olive trees, mostly in Saint-Rémy in 1889. At his own request, he lived at an asylum there from May 1889 through May 1890 painting the gardens of the asylum and, when he had permission to venture outside its walls, nearby olive trees, cypresses and w...

The Minneapolis Institute of Arts (United States)
TOP2124/1000
Vincent Van Gogh - Trees and Undergrowth 2Trees and Undergrowth 2Vincent Van Gogh

Van Gogh portrays the play of light falling through the trees to the low-lying plants in highlights of white, yellow and red. The effect of the light and shade produces many shades of green which Van Gogh paints in short brushstrokes across the canvas. A horizon line is suggested by a line of yellow...

TOP1215/1000
Denis Maurice - THREE MUSESTHREE MUSESDenis Maurice

In the guise of women dressed in contemporary clothing, Maurice Denis updates a subject taken from classical mythology – the muses who inspire the arts and sciences. But he transforms the theme profoundly, stripping the muses of the traditional attributes which allow them to be identified. In the gr...

Musée d'Orsay (Paris, France)
TOP3099/1000
Vincent Van Gogh - Starry Night Over the RhoneStarry Night Over the RhoneVincent Van Gogh

Starry Night Over the Rhone (September 1888) is one of Vincent van Gogh's paintings of Arles at night time in Arles; it was painted at a spot on the bank of the Rhone river that was only a minute or two's walk from the Yellow House on the Place Lamartine which Van Gogh was renting at the time. The n...

Musée d'Orsay (Paris, France)
TOP22410/1000
Vincent Van Gogh - First Steps (after Millet)First Steps (after Millet)Vincent Van Gogh

In fall and winter 1889–90, while a voluntary patient at the asylum in Saint-Rémy, Van Gogh painted twenty-one copies after Millet, an artist he greatly admired. He considered his copies 'improvisations' or 'translations' akin to a musician's interpretation of a composer's work. He let the black-and...

Metropolitan Museum of Art (New York, United States)