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Morning in the Village after Snowstorm, 1913 by Kazimir Severinovich Malevich (1878-1935, Ukraine) | Famous Paintings Reproductions | WahooArt.com

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Reproductions Morning In The Village After Snowstorm - 1913 By Kazimir Severinovich Malevich , Artworks
Morning in the Village after Snowstorm, 1913 by Kazimir Severinovich Malevich (1878-1935, Ukraine) | Famous Paintings Reproductions | WahooArt.com
Reproductions Morning In The Village After Snowstorm - 1913 By Kazimir Severinovich Malevich , Artworks

"Morning in the Village after Snowstorm"

Kazimir Severinovich Malevich - 1913

Morning in the Village after Snowstorm is a perfect example of Russian Cubo-Futurism. Not quite cubism, it was a method of portraying object via geometric shapes. This painting was created by Malevich in his earlier career, when his paintings were still representational and he had not clearly delineated his theories of suprematism. Russian art can usually fall within two vast categories: that of a unique artistic style and technique, and that which depicts the social life of the Russian people. Although Malevich’s paintings are often in the first category, this painting does have some elements of social awareness. His depiction of Russian peasants, trudging through a snowstorm, five years before the Russian Revolution, cannot be a mere coincidence.



 
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Morning in the Village after Snowstorm, 1913 by Kazimir Severinovich Malevich (1878-1935, Ukraine) | Famous Paintings Reproductions | WahooArt.com
/Art.nsf/O/8XYDFY/$File/Kazimir-Severinovich-Malevich-Morning-in-the-Village-after-Snowstorm.JPG
Morning in the Village after Snowstorm is a perfect example of Russian Cubo-Futurism. Not quite cubism, it was a method of portraying object via geometric shapes. This painting was created by Malevich in his earlier career, when his paintings were still representational and he had not clearly delineated his theories of suprematism. Russian art can usually fall within two vast categories: that of a unique artistic style and technique, and that which depicts the social life of the Russian people. Although Malevich’s paintings are often in the first category, this painting does have some elements of social awareness. His depiction of Russian peasants, trudging through a snowstorm, five years before the Russian Revolution, cannot be a mere coincidence.
Kazimir Severinovich Malevich