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Shepherdess, 1750 by Jean-Honoré Fragonard (1732-1806, France) | Museum Quality Reproductions | WahooArt.com

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Famous Paintings Reproductions Shepherdess - 1750 By Jean-Honoré Fragonard , Artworks
Shepherdess, 1750 by Jean-Honoré Fragonard (1732-1806, France) | Museum Quality Reproductions | WahooArt.com
Famous Paintings Reproductions Shepherdess - 1750 By Jean-Honoré Fragonard , Artworks

"Shepherdess"

Jean-Honoré Fragonard - Oil On Canvas - 118 x 161 cm - 1750 - (Milwaukee Art Museum (Milwaukee, United States))

The lighthearted gallantry of Rococo master Jean-Honoré Fragonard often provides elegant dressing for a worldly lesson in courtship and love. The theme of the pastoral tryst offered just such an opportunity: an idyllic, bountiful natural setting filled with blooms, bowers, and willing maidens. Fragonard’s lovely shepherdess is the epitome of feminine beauty. She awaits the arrival of a young shepherd who has gone to retrieve a lost lamb. Resting barefoot on the ground and attended by a faithful member of her flock, she whiles away the minutes playfully weaving garlands, perhaps to adorn her lover. The amorous and often overtly naughty themes symbolically embedded within much 18th-century French genre painting made the canvases attractive to sophisticated aristocratic collectors.



 
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Shepherdess, 1750 by Jean-Honoré Fragonard (1732-1806, France) | Museum Quality Reproductions | WahooArt.com
/Art.nsf/O/9GZGT9/$File/Jean-Honore_Fragonard-Shepherdess.JPG
The lighthearted gallantry of Rococo master Jean-Honoré Fragonard often provides elegant dressing for a worldly lesson in courtship and love. The theme of the pastoral tryst offered just such an opportunity: an idyllic, bountiful natural setting filled with blooms, bowers, and willing maidens. Fragonard’s lovely shepherdess is the epitome of feminine beauty. She awaits the arrival of a young shepherd who has gone to retrieve a lost lamb. Resting barefoot on the ground and attended by a faithful member of her flock, she whiles away the minutes playfully weaving garlands, perhaps to adorn her lover. The amorous and often overtly naughty themes symbolically embedded within much 18th-century French genre painting made the canvases attractive to sophisticated aristocratic collectors.
Jean-Honoré Fragonard
Oil On Canvas
Oil On Canvas